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Oxford Handbook of Clinical Haematology
Providing essential information needed in clinical practice for the diagnosis and management of patients with blood disorders, this handbook covers haematological investigations and their interpretation, and commonly used protocols.
Stage and Picture in the English Renaissance
This book demonstrates the pervading influence of visual art in the composition, production and reception of Renaissance English drama.
Dutch Goldsmiths' and Silversmiths' Marks and Names Prior to 1812
Overzicht van namen en tekens van Nederlandse goud- en zilversmeden die werkzaam waren tot 1812.
Dutch Silver
The fourth volume on Dutch silver deals with those embossed ecclesiastical and secular objects which are not described in Volume I. Since that volume is confined to plaquettes, tazze and dishes, together with the complete oeuvre of the three most famous artists Adam and Paul van Vianen, and Lutma, a large variety of objects remains to be dealt with. Amongst these are many very important and beautiful vessels. The principal pieces described in this volume are of ecclesiastical origin such as monstrances, ciboriums, chalices, pyxes, chrismatories, mass-cruets, incense-boats and burners, altar-thrones, lecterns, missal covers, canon-board frames, altar -bells, altar-vases, altar -candlesticks, ...
Passing The Frcpath Part 1 Examination: A Practical Guide For Haematology Registrars
This book will help registrars develop their learning for the FRCP part 1 exam which all haematology trainees are required to pass during training. The exam is a two-paper exam with multiple choice questions as well as essays. There are over 100+ guidelines for registrars to learn and this book has all of them in one place described in a succinct manner.There are also multiple gaps and other areas of learning which the guidelines do not cover. Each page of this book accurately summarises a topic in the style of how you would approach an essay. The tips within the book on good ways to approach the exam from the author's own personal experience.
Imago Exegetica
This volume consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical ...
The Artist as Reader
Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Papal Patronage and the Music of St. Peter's, 1380–1513
A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christopher A. Reynolds's fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other. This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. Taken...
