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Minister of the Word, shepherd and teacher—the titles of Dutch pastors exude authority and prestige. In the course of the nineteenth century, however, their social position was slowly undermined by the separation of church and state, the emancipation of Catholics and dissenters, and the rise of all sorts of secular “shepherds” and “teachers.” This work of historical sociology analyzes the development of the profession of pastor in the Netherlands Reformed Church, focusing on pastors’ changing relationships with the state, the universities, other professions, and their own congregants. It paints a surprising, lively, and often humorous picture of nineteenth-century ecclesiastical and religious life, and of the many areas of Dutch society and culture where pastors made their mark—in particular, the literary world.
This book is a comparative history that explores the social, cultural, and political formation of the modern nation through the construction of public schooling. It asks how modern school systems arose in a variety of different republics and non-republics across four continents during the period from the late eighteenth century to the early twentieth century. The authors begin with the republican preoccupation with civic virtue – the need to overcome self-interest in order to take up the common interest – which requires a form of education that can produce individuals who are capable of self-guided rational action for the public good. They then ask how these educational preoccupations le...
In a text-orientated approach, this study presents a rich mosaic depicting a tradition of European socio-cultural criticism since the French Revolution. Accepting the inevitability of technological advance, critics rejected the proud assumption of progress and stressed the negatives instead.
Describing the epistolary practices of the Dutch elite in the period 1770-1850, this book shows how cultural ideals of sincerity, individuality and naturalness influenced the style and contents of letters and argues for the vital importance of correspondence to the performance of class, gender and familial identities.
An authoritative volume that is the first literary history of the Netherlands and Flanders in English since the 1970s
This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
New York Times Book Review Editors’ Choice • From the bestselling author of The Sleepwalkers comes an epic history of the 1848 revolutions that swept Europe, and the charismatic figures who propelled them forward “Refreshingly original . . . Familiar characters are given vibrancy and previously unknown players emerge from the shadows.”—The Times (UK) A BEST BOOK OF THE YEAR: New Yorker, The Economist, Financial Times As history, the uprisings of 1848 have long been overshadowed by the French Revolution of 1789 and the Russian revolutions of the early twentieth century. And yet in 1848 nearly all of Europe was aflame with conflict. Parallel political tumults spread like brush fire a...
Suisse romande depuis son mariage, mais ayant passé la première moitié de sa vie aux Pays-Bas où le français était devenu très tôt sa langue « naturelle », Belle de Zuylen / Isabelle de Charrière joue quelque peu les trublions dans nos habitudes académiques. Lire son œuvre – ses lettres, ses romans, ses pamphlets et ses pièces de théâtre – c’est accepter des retouches à notre tableau des Lumières qui n’en ressortira pas indemne ; c’est revoir les limites du champ de la critique littéraire, structuré et hiérarchisé depuis le XIXe siècle en fonction de littératures « nationales ». Bilingue (français et anglais), ce recueil contient des articles basés sur l...