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A frontier place, Canada’s North is an interface in which competing educational, historical, and cultural paradigms collide, intersect, and coalesce. The unique nature of this Northern mosaic rests upon the shared experience of social disorientation and culture shock. A collection of fourteen timely essays that investigate the experience of Canadian culture above the 53rd Parallel, Horizons North is at once academic and personal, analytic and discursive – offering insights on the subject of cultural cringe and social transition to critics, scholars, students and any others interested in Aboriginal and Northern studies. The efficacy of Aboriginal systems of justice, challenges of pedagogy in the North, and problems of identity created by Canada’s colonial past are just three of the important issues investigated in this volume.
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The Oxford Handbook of English Prose, 1640-1714 is the most wide-ranging overview available of prose writing in English during one of the most tumultuous periods in British and Irish history. Stretching from the outbreak of the English Civil Wars to the death of Queen Anne, the last Stuart monarch, the volume is unprecedented in the breadth of its coverage of an age in which prose moved from the margins of cultural life in Britain to its centre. The volume also breaks new ground in the diversity of the prose writing it covers: its thirty-six chapters by an array of established literary critics and historians capture the excitingly multiple forms that prose took in what was a golden age for n...
This volume breaks new ground in the exploration of Anglo-Italian cultural relations: it presents analyses of a wide range of early modern Italian texts adapted into contemporary English culture, often through intermediary French translations. When transposed into English, their Italian origin was frequently categorized as marvellous and consequently censured because of its strangeness: thus, English translators often gave their public a moralized and tamed version of Italy’s uniqueness. This volume’s contributors show that an effective way of moralizing Italian custom was to exoticize its origins, in order to protect the English public from an Italianate influence. This ubiquitous moralization is visible in the evolution of the concept of tragedy, and in the overtly educational aim acquired by the Italian novella, adapted for an allegedly female audience. Through the analysis of various literary genres (novella, epic poem, play, essay), the volume focuses on the mechanisms of appropriation and rejection of Italian culture through imported topoi and narremes.