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Actors and Acting in Shakespeare's Time
  • Language: en
  • Pages: 261

Actors and Acting in Shakespeare's Time

Perfect for courses, this book is an account of the first actors in the plays of Shakespeare, Marlowe, and Jonson.

Medieval and Renaissance Drama in England
  • Language: en
  • Pages: 301

Medieval and Renaissance Drama in England

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eleven new articles and reviews of twelve books.

Medieval and Renaissance Drama in England, vol. 29
  • Language: en
  • Pages: 255

Medieval and Renaissance Drama in England, vol. 29

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eight new articles, a review essays, and review of six books.

Shakespeare Studies
  • Language: en
  • Pages: 354

Shakespeare Studies

Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.

Early Modern Playhouse Manuscripts and the Editing of Shakespeare
  • Language: en
  • Pages: 447

Early Modern Playhouse Manuscripts and the Editing of Shakespeare

This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.

Stages of Loss
  • Language: en
  • Pages: 337

Stages of Loss

Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-emin...

Acting Companies and their Plays in Shakespeare’s London
  • Language: en
  • Pages: 288

Acting Companies and their Plays in Shakespeare’s London

  • Type: Book
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  • Published: 2014-05-08
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  • Publisher: A&C Black

Acting Companies and their Plays in Shakespeare's London explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Acting Companies and their Plays in Shakespeare's London makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage.

Shakespeare's Theatre
  • Language: en
  • Pages: 590

Shakespeare's Theatre

  • Type: Book
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  • Published: 2004-01-01
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  • Publisher: A&C Black

Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>

Staging Touch in Shakespeare's England
  • Language: en
  • Pages: 259

Staging Touch in Shakespeare's England

When Shakespearean characters kiss, embrace, or shake hands, what does it mean? Are dramatic characters following established rules of conduct, or breaking them? Are there rules to break? Staging Touch in Shakespeare's England addresses these and related questions and, in the process, uncovers the social semiotics of contact in the early modern theatre. Its central argument is twofold. First, dramatic characters use touch to define and contest the nature of their relationships: taking hands means something different than embracing or, indeed, holding hands a different way. Second, the definitions, the social roles of actions like these, are up for debate in venues ranging from sermons to the...

Dramatic Texts and Records of Britain
  • Language: en
  • Pages: 738

Dramatic Texts and Records of Britain

In 1800 entries this valuable reference work covers texts and records of dramatic activity for about 400 sites in Britain from Roman times to 1558. Grouped in sections - texts listed chronologically; Records of England, Wales, Scotland, Ireland, and Other, classified by county, site, and date; and doubtful texts and records - the entries summarize the contents of each record and give bibliographic information. Professor Lancashire presents a comprehensive survey of almost every type of literary and historical record, document, and work: civic, church, guild, monastic, and royal court minutes and financial accounts; national records - Chancery, Parliament, Privy Council, Exchequer; royal proc...