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Making a Good Script Great
"Making a good script great is not just a matter of having a good idea. Nor is it a matter of just putting that good idea down on paper. In scriptwriting, it's not just the writing but also the rewriting that counts. [This book] focuses on the rewriting process and offers specific methods to help you craft tighter, stronger, and more workable scripts. While retaining all the valuable insights that have made the first edition one of the all-time most popular screenwriting books, this expanded, second edition adds new chapters that take you through the complete screenwriting process, from the first draft through the shooting draft. If you're writing your first script, this book will help develop your skills for telling a compelling and dramatic story. If you're a veteran screenwriter, this book will articulate the skills you know intuitively. And if you're currently stuck on a rewrite, this book will help you analyze and solve the problems and get your script back on track."--Back cover.
Arlo Finch in the Lake of the Moon
“A thrilling adventure full of magic and wonder. John August is a master storyteller.” —Ransom Riggs, #1 New York Times–bestselling author of Miss Peregrine's Home for Peculiar Children From acclaimed screenwriter John August, Arlo Finch in the Lake of the Moon continues the spellbinding fantasy adventure series about the magic that lies just beyond our world. Some legends are real. For Arlo Finch and the Rangers of Pine Mountain Company, summer camp is more than canoeing and hiking. It’s also a chance to search for ancient forest spirits and discover mysterious messages encoded in tree bark. But when Arlo and his best friends Indra and Wu stumble upon clues about the long-lost Yellow Patrol, Arlo uncovers a stunning history that leads right back to his very own family.
Arlo Finch in the Valley of Fire
Arlo Finch in the Valley of Fire is the first book in a spellbinding fantasy adventure series by screenwriter John August. Some trails lead to magic. Some lead to danger. As Arlo looked around, the walls of his room began to vanish, revealing a moonlit forest. Only his bed remained, and the frame of his window, through which he saw the girl. The world on her side of the glass was sparkling with silver and gold, like a palace made of autumn leaves. She looked off to her right. Someone was coming. Her words came in an urgent whisper: "If I can see you, they can see you . . . Be careful, Arlo Finch.” Arlo Finch thought becoming a Ranger meant learning wilderness skills, like camping and knots...
The Writer's Journey
The Writer's Journey is an insider's guide to how master storytellers from Hitchcock to Spielberg have used mythic structure to create powerful stories. This new edition includes analyses of latest releases such as The Full Monty.
Arlo Finch in the Kingdom of Shadows
“A thrilling adventure full of magic and wonder.” —Ransom Riggs, #1 New York Times–bestselling author of Miss Peregrine's Home for Peculiar Children Arlo Finch in the Kingdom of Shadows is a captivating fantasy-adventure story by master screenwriter John August. After a harrowing summer camp, Arlo Finch is back in Pine Mountain, Colorado, preparing to face a new school, new threats, and two new Rangers in Blue Patrol. Arlo is about to undertake his most dangerous journey yet: all the way to China to try to bring his father home. But when the mysterious Eldritch reveal their true agenda, Arlo must make an impossible choice: save his friends and family, or save the Long Woods. Both worlds will never be the same.
Everything Happens in August
Recently relieved of his employment and with a wedding to arrange, Jefferson Tweedy isn’t overburdened with worldly success. Indeed he is refreshingly free from it. But having studied the ‘smoke and mirrors’ management techniques of his former bosses at Mycroft, Pigott and Welch, he feels ready for a new challenge.Fortunately, his rather intimidating father-in-law to be has got just the job for him. All he’s got to do is oversee the entire nation’s examination system. How hard can it be?Everything Happens in August is a satire on the modern education system and a study in the noble art of bluffing. It sits in the great tradition of the English comic novel; take one generally well meaning central character, place him in an entirely unsuitable job and watch him lie, cheat and hide in the toilets to protect his position.
Big Fish
** A MAJOR TIM BURTON FILM starring Ewan Mcgregor and Jessica Lange ** ** COMING SOON AS A MUSICAL starring Kelsey Grammer ** Do you ever really know your father? Like many sons, William Bloom never really knew his father. Edward told him stories too incredible to believe about his exploits as a younger man, but any attempt to find out serious truths have been met with laughter and brush-offs. And that never mattered. But now Edward is dying, suddenly it matters a great deal. So William sets out to tell his father's story, as he imagines it. He tames a giant, is dragged by an enormous fish through a lake and escapes a purgatory of lost dreams. Through legends and myths, William makes Edward ...
No One Was Killed
While other writers contemplated the events of the 1968 Chicago riots from the safety of their hotel rooms, John Schultz was in the city streets, being threatened by police, choking on tear gas, and listening to all the rage, fear, and confusion around him. The result, No One Was Killed, is his account of the contradictions and chaos of convention week, the adrenalin, the sense of drama and history, and how the mainstream press was getting it all wrong. "A more valuable factual record of events than the city’s white paper, the Walker Report, and Theodore B. White’s Making of a President combined."—Book Week "As a reporter making distinctions between Yippie, hippie, New Leftist, McCarthyite, police, and National Guard, Schultz is perceptive; he excels in describing such diverse personalities as Julian Bond and Eugene McCarthy."—Library Journal "High on my short list of true, lasting, inspired evocations of those whacked-out days when the country was fighting a phantasmagorical war (with real corpses), and police under orders were beating up demonstrators who looked at them funny."—Todd Gitlin, from the foreword
On Story—Screenwriters and Their Craft
Introduction / by Barbara Morgan -- 1. Inspiration. A conversation with Randall Wallace -- 2. Story. What makes a great story : a conversation with Bill Wittliff ; Steven Zaillian on where the story originates ; Peter Hedges on crafting story ; Lawrence Kasdan on story and theme -- 3. Process. A conversation with John Lee Hancock ; Sacha Gervasi on getting started ; The basics with Nicholas Kazan ; Advice from Bill Wittliff ; Anne Rapp's writing routine ; Caroline Thompson's writing process ; Lawrence Kasdan on the challenges of writing -- 4. Structure. Structure and format : a conversation with Frank Pierson, Whit Stillman, Robin Swicord, and Nicholas Kazan ; Caroline Thompson on structure ...
Big Fish
NHB SHOOTING SCRIPTS SERIES *Nominated seven BAFTAs, including Best Picture, Best Adapted Screenplay and Best Director and for the Golden Globe award for Best Picture (musical or comedy)* Director: Tim Burton Based on the novel by Daniel Wallace The exclusive tie-in to the movie by Tim Burton, starring Albert Finney and Ewan McGregor. Contains the original screenplay, production stills, full credits, production notes and an introduction by the writer. 'Tim Burton finally hooks the one that got away: a script that challenges and deepens his visionary talent. Big Fish, skillfully adapted by John August from the 1998 novel by Daniel Wallace, brims with storytelling sorcery' Rolling Stone
