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John Bratby
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The Great Bratby
This complete biographical look at John Bratby, an English painter who founded the "kitchen sink" style of art that was influential and popularized in the 1950s, reveals an eccentric artist who battled addictions and insecurity. Touching on the shameless publicity employed to make himself Britain's first modern celebrity artist, this is the first study to mine the Bratby Archive, which includes his selections from his intimate diaries. In addition to close readings of his art, this work examines his writings and his fiction, from his bestseller Breakdown to his unpublished novels and pornographic short stories.
John Bratby
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Coagulation and Flocculation in Water and Wastewater Treatment
Coagulation and Flocculation in Water and Wastewater Treatment provides a comprehensive account of coagulation and flocculation techniques and technologies in a single volume covering theoretical principles to practical applications. Thoroughly revised and updated since the 1st Edition it has been progressively modified and increased in scope to cater for the requirements of practitioners involved with water and wastewater treatment. A thorough gamut of treatment scenarios is attempted, including turbidity, color and organics removal, including the technical aspects of enhanced coagulation. The effects of temperature and ionic content are described as well as the removal of specific substanc...
Art and Masculinity in Post-war Britain
List of Figures -- Acknowledgements -- Series preface -- Introduction: 'Shaken by the Spirit of Reconstruction' -- 1. John Bratby: Masculinity and Violence in the Post-War Home -- 2. Francis Bacon: Queer Intimacy and Queer Spaces of Home -- 3. Keith Vaughan: Bodies and Memories of Home -- 4. Francis Newton Souza: Masculinity, Migration, and Home -- 5. Victor Pasmore: Abstraction and the Post-War Landscape of Home -- Conclusion: Gilbert & George and the Persistence of Reconstruction Notes Bibliography -- Index.
Bratby
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British Art in the Nuclear Age
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
John Craxton
Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.
