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Mood and Trope
In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging a quartet of modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.
Culture and Domination
In Culture and Domination John Brenkman delineates the link between cultural interpretation and social theory through a forceful, critical reassessment of hermeneutics, Marxism, and psychoanalysis. He challenges the claim of traditional hermeneutics that culture is a realm of meaning and value set apart from social relations of domination and power. The alternative hermeneutics he advocates builds on Marxism and psychoanalysis but also disputes some of their most basic premises and concepts.
Echo Chambers
Studies the representation of Faulkner, Lowry, and Gaddis, focusing on the paradoxes of an indication of how different authors understand the contradictions of Annotation copyrighted by Book News, Inc., Portland, OR
On Deconstruction
With an emphasis on readers and reading, the author considers deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. As a result, this book is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics.
Straight Male Modern
Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterose...
Arbitrary Power
This book explores previously unexamined links between the arbitrary as articulated in linguistic theories on the one hand, and in political discourse about power on the other. In particular, Willam Keach shows how Enlightenment conceptions of the arbitrary were contested and extended in British Romantic writing. In doing so, he offers a new paradigm for understanding the recurrent problem of verbal representation in Romantic writing and the disputes over stylistic performance during this period. With clarity and force, Keach reads these phenomena in relation to a rapidly shifting literary marketplace and to the social pressures in Britain generated by the French Revolution, the Napoleonic W...
The Cultural Contradictions of Democracy
Since 9/11, American foreign policy has been guided by grand ideas like tyranny, democracy, and freedom. And yet the course of events has played havoc with the cherished assumptions of hawks and doves alike. The geo-civil war afflicting the Muslim world from Lebanon through Iraq and Afghanistan to Pakistan confronts the West with the need to articulate anew what its political ideas and ideals actually are. In The Cultural Contradictions of Democracy, John Brenkman dissects the rhetoric that has corrupted today's political discourse and abused the idea of freedom and democracy in foreign affairs. Looking back to the original assumptions and contradictions that animate democratic thought, he a...
Mood and Trope
“Reconnect[s] affect studies with major issues in literary studies, philosophy, and aesthetics. . . . a fundamental contribution to this emergent field.” —Jonathan Culler, Cornell University, author of Structuralist Poetics In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of a...
What's Left of Theory?
For several years, write the editors of What's Left of Theory , a debate on the politics of theory has been conducted energetically within literary studies. The terms of the debate, however, are far from clear. What is meant by politics? What is meant by theory? What's Left of Theory is a vigorous engagement with that thorniest of critical questions: how today are theory and progressive thought connected? Michael Warner, activist and critic, examines 'zones of privacy and zones of theory' while law professor Janet Halley considers theory and its applicability to sex harassment. Jeff Nunokawa examines Oscar Wilde, Marjorie Levinson reads Elizabeth Bishop alongside National Geographic ; John B...
Novels by Aliens
"Twenty-first century fiction and literary study have taken a decidedly weird turn: they show a marked interest in the nonhuman and in the preternatural moods that the nonhuman often evokes. Writers of fiction and criticism are avidly experimenting with strange, even alien perspectives and protagonists. Kate Marshall's Novels by Aliens explores this development broadly while focusing on problems of genre fiction. She identifies three key generic hybrids that harness a longing for the nonhuman: The Old Weird, an alternative tradition within naturalism and modernism for the twenty-first century's cowboys and aliens; Cosmic Realism, the reach for words legible only from space in otherwise terrestrial narratives; and Pseudoscience Fiction, which imagines speculative futures beyond human life on earth. Marshall's book offers sharp and surprising insights about a breathtaking range of authors, from Edgar Rice Burroughs to Kazuo Ishiguro, Willa Cather to Maggie Nelson"--
