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Calvinism’s influence and reputation have received ample scholarly attention. But how John Calvin himself – his person, character, and deeds – was remembered, commemorated, and memorialized, is a question few historians have addressed. Focussing on the nineteenth and twentieth centuries, this volume aims to open up the subject with chapters on Calvin’s monumentalization in statues and museums, his appearance in novels, children’s books, and travel writing, his iconic function for Hungarian nationalists and Presbyterian missionaries to China, his reputation among Mormons and freethinkers, and his rivalry with Michael Servetus in French Protestant memory. The result is a fresh contribution to the field of religious memory studies and an invitation to further comparative research. Contributors include: R. Bryan Bademan, Patrick Cabanel, R. Scott Clark, Thomas J. Davis, Stephen S. Francis, Joe B. Fulton, Botond Gaál, Stefan Laube, Johan de Niet, Herman Paul, James Rigney, Michèle Sacquin, Jonathan Seitz, Robert Vosloo, Bart Wallet, and Valentine Zuber.
This historically significant volume collects Karl Barth's lectures on John Calvin, delivered at the University of Göttingen in 1922. The book opens with an illuminating sketch of medieval theology, an appreciation of Luther's breakthrough, and a comparative study of the roles of Zwingli and Calvin. The main body of the work consists of an increasingly sympathetic, and at times amusing, account of Calvin's life up to his recall to Geneva. In the process, Barth examines and evaluates the early theological writings of Calvin, especially the first edition of the Institutes.
alvin produced commentaries on most of the books of the Bible. His commentaries cover the larger part of the Old Testament, and all of the new excepting Second and Third John and the Apocalypse. His commentaries and lectures stand in the front rank of Biblical interpretation. This book covers Calvin's commentaries on the Psalms 1 - 35.
A Longhouse Fragmented is a historic ethnography of the Ohio Iroquois and, in particular, of the people known as the Seneca of Sandusky during the early nineteenth century. Using contemporary social theory and interdisciplinary methodologies, Brian Joseph Gilley tells the social history of the Native peoples of Ohio before and during the sociopolitical buildup to removal. As culturally, geographically, and socially displaced Iroquois, the Sandusky Iroquois were fragmented away from American historiographical constructions of Iroquois social history by the American Indian academic establishment. This fragmentation makes the early cultural history of the Ohio Iroquois an ideal foil through which to consider how normalized interpretations of social history come to appear real and have real effects for the subject societies well into the twentieth century. These stories are intended to begin an overdue conversation about the effects of a unified Iroquois history congealed around highly specific categories of knowledge.
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John Pyne imigrated from Ireland, ariving in Charleston, S.C. in 1808. See our website for allied families. P0390HB - $20.00
This title explores the ways Calvin and the Calvinist tradition have influenced American life. In addition, each section moves chronologically, ranging from colonial times to the 21st century.
The Southern Tenant Farmers' Union was founded in eastern Arkansas in 1934 to protest the New Deal's enrichment of Southern cotton barons at the expense of suffering sharecroppers, both black and white. Their courageous struggle, in the face of determined and often violent resistance from their landlords, is the subject of this thorough study from Donald H. Grubbs, which was published to critical acclaim in 1971. Cry from the Cotton was the first full-scale look at the STFU and its leaders. It discloses that, although the union operated under noticeable socialist party sponsorship in its infancy, it drew much more upon the native Southern evangelical and populist traditions, much as the civi...
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A three-volume guide to the early art and artists of Ohio. It includes coverage of fine art, photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning and the execution of panoramas and theatrical scenery.