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Since its initial publication in 1970, Design Methods has been considered the seminal work on design methodology. Written by one of the founders of the design methods movement, it has been highly praised in international journals and has been translated into Japanese, Romanian, Polish, Russian, and Spanish. As Jones states in the preface: "Alongside the old idea of design as the drawing of objects that are then to be built or manufactured there are many new ideas of what it is, all very different: designing as the process of devising not individual products but whole systems or environments such as airports, transportation, hypermarkets, educational curricula, broadcasting schedules, welfare...
designing designing is one of the most extraordinary books on design ever written. First published in 1984 and reprinted with this title and cover in 1991, the book was the product of ten years of auto-critique, reflection and experimentation on writing on designing. Offering a savage auto-critique of his own work on “methods”, as well as of the wider methods and ends of advanced industrial societies as a whole, this book challenges the traditional product- and progress- orientated focus on design by insisting that the world now coming into being requires designing to be understood as 'a response to the whole of life.' But designing designing is also unique in modern design thinking in its exploration of what writing on designing might be. Combining essays, interviews, reflections, performances, plays, poems, chance procedures, photographs, collages and quotes, Jones experiments with both form and content in an attempt to make a book which 'is not simply about designing but is instead itself an instance of the ideas and processes explored within it.'
In this extraordinary book, a series of letters written at the beginning of an era in which the book has lost the significance it had and in which electronic correspondence, in which anyone may join, becomes the medium of the moment', John Chris Jones explores the potential of the internet as the instigator of a new kind of life. The book is in fact a record of an electronic text, an attempt to find a new form of writing which acknowledges the significance of the connectedness and immediacy of computer networks. In the author's words, it is 'a record of trying to think some of the unthinkables that our technologies have brought before us in this pause before the post-industrial breakfast ... '. Based on an analysis of automation (the replacement of human skills by machines, as industrialisation was the replacement of human effort), the possibilities opened up by the transmission of information by electricity, and a refuel to accept that the virtual' world is in any sense less real than the world excluding computers, Jones sees the internet as making possible an awakening from the 'frozen dreaming' of industrial life.
Includes an excerpt from another adventure by John Christopher entitled 'In the beginning.'
The fossil fuel revolution is usually a tale of advances in energy production. Christopher Jones tells a tale of advances in energy access—canals, pipelines, wires delivering cheap, abundant power to cities at a distance from production sites. Between 1820 and 1930 these new transportation networks set the U.S. on a path to fossil fuel dependence.
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In the divided England of the distant future, a recently-orphaned boy flees the sprawling area known as the Conurb for the serene world of the County where the people seem to live a simpler existence.
The Guerilla Film Makers Handbook is easily the most helpful and honest book ever written about what it takes to make an independent movie.
Features interviews with industry professionals, on subjects as diverse as interview technique, the NBC News Archive, music rights, setting up your own company, pitching your proposal, camera hire, the British Film Council, editing and distribution. This book also includes in-depth case studies of some of the successful documentary films.
A thought experiment in future-shock survivalism' Robert MacFarlane 'Gripping ... of all science fiction's apocalypses, this is one of the most haunting' Financial Times WITH AN INTRODUCTION BY ROBERT MACFARLANE A post-apocalyptic vision of the world pushed to the brink by famine, John Christopher's science fiction masterpiece The Death of Grass includes an introduction by Robert MacFarlane in Penguin Modern Classics. At first the virus wiping out grass and crops is of little concern to John Custance. It has decimated Asia, causing mass starvation and riots, but Europe is safe and a counter-virus is expected any day. Except, it turns out, the governments have been lying to their people. When...