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Back when scientists knew nothing about space travel, back when rockets were new, a group of Russian cosmonauts rode rockets to the edge of space and into earth orbit. These pioneer space travelers were dogs, space dogs of the Soviet space program.For 15 years, space dogs occupied the world stage, blazing trails as the first astronauts.Their flights taught scientists how living beings reacted to rocket travel and tested the equipment that would be used for human space flight. The age of the space dog extended from the first launch in 1951 until the final, record-breaking dog flight in 1966. Some dogs won world-wide fame. Most of them, however, worked-and died-in obscurity. They were all pioneers of space travel. And no one has ever told their story. Until now.Space Dogs dramatizes the training of the dogs, the harrowing early flights, the tragic accidents, the fame that came to the program after the launch of Laika in Sputnik 2, and the final flights leading up to the first manned flight.Space Dogs includes never-before-published photos from the archives of Novosti, the Russian News Agency.
When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. Its scale, brutality, and duration forced journalists to write their own rules for reporting and keeping the American public informed. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public. Chris Dubbs draws on personal accounts from contemporary newspaper and magazine articles and books to convey the experiences of the journalists of World War I, from the western front to the Balkans to the Paris Peace Conference. Their accounts reveal the challenges of finding the war news, transmitting a story, and getting it past the censors. Over the course of the war, reporters found that getting their scoop increasingly meant breaking the rules or redefining the very meaning of war news. Dubbs shares the courageous, harrowing, and sometimes humorous stories of the American reporters who risked their lives in war zones to record their experiences and send the news to the people back home.
When World War I began, war reporting was a thoroughly masculine bastion of journalism. But that did not stop dozens of women reporters from stepping into the breach, defying gender norms and official restrictions to establish roles for themselves--and to write new kinds of narratives about women and war. Chris Dubbs tells the fascinating stories of Edith Wharton, Nellie Bly, and more than thirty other American women who worked as war reporters. As Dubbs shows, stories by these journalists brought in women from the periphery of war and made them active participants--fully engaged and equally heroic, if bearing different burdens and making different sacrifices. Women journalists traveled from belligerent capitals to the front lines to report on the conflict. But their experiences also brought them into contact with social transformations, political unrest, labor conditions, campaigns for women's rights, and the rise of revolutionary socialism. An eye-opening look at women's war reporting, An Unladylike Profession is a portrait of a sisterhood from the guns of August to the corridors of Versailles. Purchase the audio edition.