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This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
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Norman Sykes was among the greatest church historians of the twentieth century and many scholars regard From Sheldon to Secker as perhaps his finest and most enduring work. Based on the Ford Lectures given in Oxford in 1958, From Sheldon to Secker is a penetrating analysis of what Professor Sykes describes as the single 'most influential epoch of English church history between the Reformation and the Victorian age'. Professor Sykes draws upon the scholarship of a lifetime in assessing these developments, and these challenges, and From Sheldon to Secker remains essential, and engaging, reading for all students of what would now be called the long eighteenth century.