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Studies Wordsworth in the context of Zen thought and art.
Meditative spirituality is the common feature that Rudy (English, Indiana U.-Kokomo) finds in Zen Buddhism and British Romantic poetry. Underlying the confluence, he says, is the realization of a displaced, formless, originary ground, which is inclusive of yet prior to and beyond the subject-object
This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.
The first extended examination of the influence of monasticism on Wordsworth's writing. Covering the poet's development between 1806 and 1822, it considers how a series of sources describing medieval monastic life in the north of England influenced Wordsworth's thinking about regional attachment, trans-historical community, and national cohesion.
Thomas Hamilton (1745-1807) was born in Charles County, Maryland. He married Ann Hodgkin in 1781, and with eight children they moved to Washington County, Kentucky in 1797. Descendants have scattered throughout the United States.
The Neo-Buddhist Writings of Lafcadio Hearn: Light from the East by Antony Goedhals offers radical rereadings of a misunderstood and undervalued Victorian writer. It reveals that at the metaphysical core of Lafcadio Hearn’s writings is a Buddhist vision as yet unappreciated by his critics and biographers. Beginning with the American writings and ending with the essay- and story-meditations of the Japanese period, the book demonstrates Hearn’s deeply personal and transcendently beautiful evocations of a Buddhist universe, and shows how these deconstruct and dissolve the categories of Western discourse and thinking about reality – to create a new language, a poetry of vastness, emptiness, and oneness that had not been heard before in English, or, indeed, in the West.
Annie Trumbull Slosson (1832-1926) was an important short story writer who epitomized the American local color movement that flourished after the Civil War and ended at the beginning of the twentieth century. Along with writers like Sarah Orne Jewett, Mary Wilkins Freeman and Elizabeth Stuart Phelps, she helped establish the popular and critical model of the short story in which location and idiosyncratic characterization identified a particular region of the United States. In New England women dominated the genre, for the isolated farms and desolate villages were often places where women and old men lived - the young men had died in the war or had gone west in search of gold. Slosson's first work, The China Hunter's Club (1878), helped establish the viability of local dialect, building on the tradition established by Harriet Beecher Stowe and Catherine Sedgwick. But in her two most important volumes, Seven Dreamers (1890) and Dumb Foxglove and Other Stories (1898) she reached full maturity, with stories that developed the mystical/psychological ramifications of her characters, mostly older women who abandoned the old-style Congregational/Calvinist puritanism of their forebears and