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Chairs
"Institute of History of Art, Architecture & Urbanism, Delft University of Technology--Faculty of Architecture"--P. facing t.p.
John Gloag on Industrial Design
John Gloag (1896-1981) was a leading modernist commentator and anyone with an interest in early and mid-20th Century design will be familiar with his name. He was well known as an author of almost 60 books on architecture, social history and industrial design. Gloag was a member of an elite design culture that was highly visible throughout the 1930s and 40s. Although an ardent reformist with links to a number of prestigious institutions, including RIBA, the RSA, the DIA and the CoID, Gloag's contribution to design reform and to an understanding of a national design tradition, has attracted little scholarly interest. This set addresses that by re-issuing 10 of his most well-received books, many of them amply and beautifully illustrated.
Algebraic Fantasies and Realistic Romances
Seven lucid and entertaining essays on masters of science fiction and fantasy literature, including Bob Shaw, M.P. Shiel, Douglas Adams, Stephen R. Donaldson, and more.
The CIAM Discourse on Urbanism, 1928-1960
The first history of the Congres Internationaux d'Architecture Moderne traces the development and promotion of its influential concept of the "Functional City."
Mr. Loudon's England
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The Law Reports
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The Law Reports
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Destination London
The legacy of emigrés in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigré directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s.
