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The Vision Splendid features the sketchbooks of 22 nineteenth-century artists, ranging from well-known professionals like Eugene von Gu�rard and John Glover to amateurs about whom little is known. These artists, engineers, surveyors, military men, solicitors, public servants and pastoralists all delighted in recording what they saw and then sharing it with family, friends and the wider public. The sketches reveal what colonial life in Australia was like at that time, both in the country and in the city, and the challenges the artists faced depicting landscapes that were so different from those in Europe.
"Reprinted after revision and correction from the 'Weekly Mercury, '" Mar. 1881-May 1884.
A young New Yorker grieving his mother's death is pulled into a gritty underworld of art and wealth in this “extraordinary” and beloved novel that "connects with the heart as well as the mind" (Stephen King, New York Times Book Review), named a New York Times Best Book of the 21st Century. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteri...
Despite William Hunter's stature as one of the most important collectors and men of science of the eighteenth century, and the fact that his collection is the foundation of Scotland's oldest public museum, The Hunterian, until now there has been no comprehensive examination in a single volume of all his collections in their diversity. This volume restores Hunter to a rightful position of prominence among the medical men whose research and amassing of specimens transformed our understanding of the natural world and man's position within it. This volume comprises essays by international specialists and are as diverse as Hunter's collections themselves, dealing as they do with material that ran...
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