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Dawnbreakers
Exhibition held at John Hansard Gallery, University of Southampton, 27 Apr.-12 June 2010.
Modern Nature
In 1986 the controversial film-maker Derek Jarman discovered he was HIV positive, and decided to make a garden at his cottage on the bleak coast of Dungeness, where he also wrote these journals. Looking back over his childhood, his coming out in the 1960s and his cinema career, the book is at once a volume of autobiography, a lament for a lost generation and a celebration of homosexuality.
British Art Show 9
An unrivaled survey of contemporary art from the UK Taking place every five years, the British Art Showis the largest touring exhibition of contemporary art in the UK. This catalog features artworks from its ninth edition, by artists including Hurvin Anderson, Michael Armitage, Simeon Barclay, Heather Phillipson and Alberta Whittle.
Our Faces, Our Spaces
Our Faces, Our Spaces: Photography, Community and Representation features photographic work taken between 1977 and 1992 by children and young people who were members of Mount Pleasant Photography Workshop in Southampton. This book presents their work within the context of both a personal overview and that of a critical and theoretical position. The photographers offer a view and interpretation of their world which deals with social, cultural, religious and political connections of that period of time.
Ship to Shore
Ship to Shore: Art and the Lure of the Sea emerged from, and was inspired by, an exhibition held across Southampton's John Hansard Gallery and SeaCity Museum in 2014.Based around interviews conducted by Jean Wainwright with sixteen internationally renowned contemporary artists whose works were featured in the show, the book weaves an evocative narrative about the sea and its enduring lure for artists.Powerful meanings of the sea as something seductive or dangerous, a visual metaphor, a political boundary, or the site of trauma or imagination, emerge as the inspiration for these artists and link their very different practices together.As the words and images unfold we are reminded how the sea has enticed us across centuries, thrilling us with its seductive vitality.With framing essays by Jean Wainwright and Philip Hoare.
Eyes for Blowing Up Bridges
From Situationism to Beat to Punk, Eyes For Blowing Up Bridges unites a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of seminal post-war alternative movements.Presenting rarely exhibited material - including cut-ups, film, video, sound and slide, as well as self-published books, pamphlets, anarchist propaganda, punk ephemera and graphics - the exhibition and publication examine the creative interplay between William Burroughs, Guy Debord, Asger Jorn, Alexander Trocchi and King Mob, and their collective influence on Malcolm McLaren in his endeavours to disrupt the cultural and social status quo from the 1960s to his premature death in 2010.McLaren co-opted the intellectual vigour of this powerful and difficult group of individuals to make insurrectionary statements during his days as a Situationist art student in the 1960s, to the end of his life in groundbreaking artistic forays expressed through pop culture (fashion, music, environment, performance, film).Published on the occasion of the exhibition at John Hansard Gallery, University of Southampton, 26 September - 14 November 2015.
English Anxieties
Following a commission by Photoworks and Ffotogallery, Tim Brennan has produced a body of work that explores ideas generated during a residency at the Mass Observation Archive. The Archive results from the work of an experimental social research organisation founded in 1937 with the objective of creating 'an anthropology of ourselves'. The first part of this book is a series of photographs based around the theme of 'Unprofessional Painting' ndash; a reference to the work of the Ashington Miners who exhibited in London during the 1940s ndash; the second is a complete reproduction of The Lethbridge report ndash; an idiosyncratic document on fifth-column or espionage activity taking place in Cambridgeshire during the 1940s.
Seaside Photographed
How has the seaside been photographed? From the roaring waves of the nineteenth century through the reportage of the 1960s and the critical documentary of the 80s and 90s, to what is perhaps the more intimate work of the last ten years. No-one can tell it exactly the way it is. We all have a vision of the seaside which is uniquely our own. Memories, false and real, are aided and abetted by photography, a unique, fascinating, but in the end unreliable source of evidence. And time changes everything. What remains are a set of substantial fragments, thoughts along the way, obsessions, records, constructions, journeys. Ours for the taking
Tactical Biopolitics
Scientists, scholars, and artists consider the political significance of recent advances in the biological sciences. Popular culture in this “biological century” seems to feed on proliferating fears, anxieties, and hopes around the life sciences at a time when such basic concepts as scientific truth, race and gender identity, and the human itself are destabilized in the public eye. Tactical Biopolitics suggests that the political challenges at the intersection of life, science, and art are best addressed through a combination of artistic intervention, critical theorizing, and reflective practices. Transcending disciplinary boundaries, contributions to this volume focus on the political s...
