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The classic novel of a small Minnesota town—and of one school teacher who calls it home This utterly charming, deeply poignant debut remains perhaps the signature achievement of beloved novelist Jon Hassler—once hailed by The New York Times as “a writer good enough to restore your faith in fiction.” It’s the story of a week in the life of Miles Pruitt, a thirty-five-year-old bachelor who teaches high school English in Staggerford, Minnesota. And though it is only a week, it’s an extraordinary week, filled with the poetry of living, the sweetness of expectation, and the glory of surprise that can change a life forever. Praise for Staggerford “Witty, intelligent, compassionate . ...
A small town in Minnesota is the setting for this strong novel about the moral awakening of a child in 1944. Copyright © Libri GmbH. All rights reserved.
Since her Chippewa mother is dead, seventeen-year-old Jemmy's alcoholic father has insisted that she quit school to care for her younger siblings. But on her way home on her last day of school, she gets caught in a fierce snowstorm, and is rescued by Otis and Ann Chapman, who have moved to rural Minnesota from the city. Otis is a well-known painter, and he sees in Jemmy the model he needs to complete a mural of the Maiden of Eagle Rock. Jemmy soon finds that the Chapmans have rescued her in more ways than one...and that there's a whole world outside of her family's dreary existence, a world she can conquer, if only she has the courage to fight....
Sixty–something Agatha McGee is feisty, intelligent, honorable, quick witted, hot–tempered, and nurturing. A problem at the school where she teaches propels her to leave America for Ireland and look for the pen pal with whom she has corresponded for years. It may be a little late in the game, but for once in her life Agatha follows her heart in search of a dream. Along the way, she not only discovers people she would never have allowed herself to know before, but she learns through experience, at long last, that love is unpredictable, unstoppable, and never appears as we dream it will.
He was an eyewitness to a crime that his best friend committed. . . . “It all started the day school ended” That was when my English teacher decided not to flunk me—if I wrote a long story during my summer vacation. My name’s Tom Barry. I’m sixteen, and I really do want to be a junior next year at the high school in St. Paul where I live. But with my full-time job at Mr. Kerr’s grocery store, I didn’t think I’d have enough time to do it. But by the end of the week, the paper seemed small potatoes. You see, Mr. Kerr’s store was broken into—and my best friend Mouse was involved. I saw him, but I didn’t know what to do. I didn’t want to be a fink. I kept mum because it was right about then that I was invited to stay at my uncle’s resort near Pinecone. It’s a real neat place in the Minnesota woods, and I figured I would cool out there. And then I found that they have crime just like in St. Paul—but this time the stakes were much higher. Suddenly, my life was on the line. . . .
Five members of a musical group at Rookery State College struggle with their loyalties when a labor union comes to town and organizes a teacher's strike.
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
From the one-room chapel in a prairie town to the grandiose cathedral on a city street, churches stand at the heart of the Minnesota landscape. A photographer and an award-winning writer come together to honor these icons and share their stories.
"In Good People, celebrated novelist Jon Hassler examines goodness with warmth, humor, and poignancy by exploring the many meaningful relationships that have enriched his life. He describes his parents and grandparents, childhood playmates, fellow teachers and writers - including the renowned fiction writer J.F. Powers - and shows how the goodness in these people has inspired the good people in his fiction. Written in the same engaging style as his novels, Hassler's stories reveal much of his own background, including his strong Catholic faith and the places that have shaped his writing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Dear James, by best-selling author Jon Hassler, is a delightful exploration of the themes of loss and spiritual renewal. Agatha Magee, the feisty, quick-witted, fiercely Catholic doyenne of Staggerford, Minnesota, confronts crises large and small in her 70th year: she is forced to retire from her beloved teaching; she's crushed to learn that her Irish pen pal, James, is a priest; and she's faced with evils ranging from Irish terrorism to the petty jealousies that tear apart life in a small town. John Hassler's Dear James is a poignant reminder that life is full of sorrow and loss, but also of joy and new beginnings.