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This is a new release of the original 1931 edition.
Discover Drawing of the famous Cartoonist John Held J.R edited in 1931. Immerse yourself in the world of the Twenties, with the distinctive style and talent of John Held. Here new lay-out by COMIC BOOKS RESTORE ! In 1927, Held was nominated for the Vanity Fair Hall of Fame: "Because as a caricaturist, he invented the modern flapper; because last year he was almost elected a member of Congress from Connecticut; because he is a syndicated artist who has not lost his flair for drawing and satire; because he is a born comedian."
This comprehensive bibliography lists nearly 2,200 sources (from 36 countries) of information on mail art from books, magazines, newspapers, and catalog essays between 1955 and 1989.
Although increasingly appreciated in fine art and stamp collecting circles, artist postage stamps, or artistamps, are more likely to be traded between the people who create them than they are to be exhibited in commercial art galleries or read about in philatelic journals. Artistamps are part and parcel of the grassroots network known as Mail Art, an alternative art of creative long-distance communication that intuited the demand for cross-cultural exchange long before the Internet. Although seemingly rigid, the postage stamp format allows flexible approaches in painting, watercolor, offset, photography, photocopy, rubber-stamping, engraving, digitization and sculpture.
Evoking the Jazz-Age world that would later appear in his masterpiece, The Great Gatsby, this essential Fitzgerald collection contains some of the writer’s most famous and celebrated stories. In “The Curious Case of Benjamin Button,” an extraordinary child is born an old man, growing younger as the world ages around him. “The Diamond as Big as the Ritz,” a fable of excess and greed, shows two boarding school classmates mired in deception as they make their fortune in gemstones. And in the classic novella “May Day,” debutantes dance the night away as war veterans and socialists clash in the streets of New York. Opening the book is a playful and irreverent set of notes from the author, documenting the real-life pressures and experiences that shaped these stories, from his years at Princeton to his cravings for luxury to the May Day Riots of 1919. Taken as a whole, this collection brings to vivid life the dazzling excesses, stunning contrasts, and simmering unrest of a glittering era. Its 1922 publication furthered Fitzgerald's reputation as a master storyteller, and its legacy staked his place as the spokesman of an age.