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Geometrical Drawing and Design
  • Language: en
  • Pages: 243

Geometrical Drawing and Design

  • Type: Book
  • -
  • Published: 1902
  • -
  • Publisher: Unknown

None

The Builder
  • Language: en
  • Pages: 972

The Builder

  • Type: Book
  • -
  • Published: 1868
  • -
  • Publisher: Unknown

None

The Art-journal
  • Language: en
  • Pages: 532

The Art-journal

  • Categories: Art
  • Type: Book
  • -
  • Published: 1868
  • -
  • Publisher: Unknown

None

The Athenaeum
  • Language: en
  • Pages: 938

The Athenaeum

  • Type: Book
  • -
  • Published: 1895
  • -
  • Publisher: Unknown

None

Athenaeum and Literary Chronicle
  • Language: en
  • Pages: 1808

Athenaeum and Literary Chronicle

  • Type: Book
  • -
  • Published: 1867
  • -
  • Publisher: Unknown

None

The art journal London
  • Language: en
  • Pages: 380

The art journal London

  • Type: Book
  • -
  • Published: 1868
  • -
  • Publisher: Unknown

None

Building News
  • Language: en
  • Pages: 890

Building News

  • Type: Book
  • -
  • Published: 1868
  • -
  • Publisher: Unknown

None

The Building News and Engineering Journal
  • Language: en
  • Pages: 694

The Building News and Engineering Journal

  • Type: Book
  • -
  • Published: 1868
  • -
  • Publisher: Unknown

None

The Poetics of Perspective
  • Language: en
  • Pages: 348

The Poetics of Perspective

  • Categories: Art

"My principal concern in this book is the way we talk about pictures...Renaissance writers and artists imagined perspective quite differently than we do... I maintain... that Renaissance authors and artists thought there were many compatible perspectives, so that their writing and painting evince a "pluralist" approach in strict contrast to the monolithic mathematical perspective we imagine today. Theirs was more a collection of rational methods than a "rationalisation of sight", more a way of drawing objects than of setting them in an abstract "pictorial space". Most important... is the gradual recession of perspective as a mute method, a practical subset of geometry, and the growth of perspective as a metaphor, a powerful concept for ordering our perception and accounting for our subjectivity." -- Preface.