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Thus Spake the Corpse
Andrei Codrescu's infamous anti-literary magazine Exquisite Corpse became a prime site of engaged dialogue in the stormy decade of its existence. Taking its name from Surrealism, the Corpse became the home of rebellion, passion, polemic, black humor, sedition, and all points between the front lines and back alleys of contemporary culture. In this text, Codrescu and Rosenthal resurrect the best essays and poems from Carl Rakosi, James Purdy, Joel Oppenheimer, Robert Creeley, Tom Clark and other members of America's vibrant and eclectic avant-garde.
Three Screenplays
Here are three screenplays collected in print for the first time, from the prolific bizarro genius Tom Bradley. Each screenplay is adapted from a novel of the same name. LEMUR - damnation and salvation in the food services industry. VITAL FLUID - rival hypnotists stage a bizarre series of showdowns. BOMB BABY - a manhunt through Hiroshima's lightless crannies. ' . . . brilliant, evocative writing. Bizarre imagination set free. An enviable skill.' -Consuelo Boland
The Master of Deception
The Master of Deception tells of a son's search for his father amid the fabric of family, guilt, renunciation, and hidden history in the borderlands of 1950s stage show and trailer park culture. In the tradition of Geoffrey Wolf's The Duke of Deception and Jeanette Walls' The Glass Castle, John-Ivan Palmer's The Master of Deception takes readers on the road with his magician father and his mother, the lovely assistant, as they travel from Elks Lodges to County Fairs, performing alongside contortionists, ventriloquists, and every manner of screwball act that passed for variety entertainment before television drove us all indoors and away from one another. From dressing rooms across America, J...
Text, Lies and Cataloging
What do James Frey's A Million Little Pieces, Margaret B. Jones' Love and Consequence and Wanda Koolmatrie's My Own Sweet Time have in common? None of these popular books are what they appear to be. Frey's fraudulent drug addiction "memoir" was really a semi-fictional novel, Jones' chronicle of her life in a street gang was a complete fabrication, and Koolmatrie was not an Aboriginal woman removed from her family as a child, as in her seemingly autobiographical account, but rather a white taxi driver named Leon Carmen. Deceptive literary works mislead readers and present librarians with a dilemma. Whether making recommendations to patrons or creating catalog records, objectivity and accuracy are crucial--and can be difficult when a book's authorship or veracity is in doubt. This informative (and entertaining!) study addresses ethical considerations for deceptive works and proposes cataloging solutions that are provocative and designed to spark debate. An extensive annotated bibliography describes books that are not what they seem.
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Dollhouse Masquerade
""Every word has gone through endless exacting rehearsals to shine. These are poems not only to be read, but to be memorized."" John-Ivan Palmer, author of 'Motels of Burning Madness' ""Captures sentiment and observance in cunning detail, wit, and elegance."" Marge Barrett, author of 'My Memoir Dress' ""The very finest of wordsmith sizzle."" Ted King, author of 'New Beat' and 'Coyote' ""The seismic deluge continues, page after page, until the very final word crashes in and spreads across the sand."" 'The Write Launch Literary Magazine' Find preview snippets of 'Dollhouse Masquerade' here: https: //truthserumpress.net/tastesof/a-taste-of-dollhouse-masquerade/ Find 'Dollhouse Masquerade' at Truth Serum Press here: https: //truthserumpress.net/catalogue/fiction/dollhouse-masquerade/
Thus Spake the Corpse: Fictions, travels & translations
In its day, Andrei Codrescu's controversial and notorious anti-literary literary magazine Exquisite Corpse was a primary source rebellion, passion and black humor. Calculated to assault, shock, intrigue and reflect our anxious millennium fill the pages of this Corpse reader. A heady invitation to enjoy one's intellectual freedom while it lasts, the volume inscribes central (and edgy) poetic controversies, eulogizes and condemns, realizes and surrealizes, translates and travels across space and time to place us in all those wild worlds visited by the bizarre legion of Corpse correspondents.
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