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Every photograph - whether family snapshot or museum masterpiece - comes to life out of the silver shadows in the negative. Yet the value and intrinsic beauty of the photographic negative have been woefully underappreciated. Auction houses disdain negatives of even the most celebrated photographs, insurance companies routinely underestimate their worth, and the general public never gets to see them. Only archivists, dealers and photographers themselves understand how priceless, unique and visually stunning negatives truly are. Celebrating the Negative rectifies matters in glorious fashion. John Loengard has tracked down and photographed the negatives of some of the most famous images ever ma...
"American Photographer magazine hailed John Loengard as "Life's most influential photographer." His graphically bold but subtly surprising studies of personalities have established his pre-eminence as a portraitist. In his first book Pictures Under Discussion, previously unpublished landscapes and still lifes are combined with these powerful portraits to attest to the penetration of his eye and to give new dimension to his photographic achievement."--Amazon.
A collection of interviews and 270 photographs traces the work, experiences, and careers of the original staff photographers of LIFE magazine, documenting how they pioneered the picture story and the photographic essay. 15,000 first printing.
A collection of portraits of some of the most important photographers of the last half-century, including Annie Leibovitz, Ansel Adams, Man Ray, Richard Avedon, Alfred Eisenstaedt, Henri Cartier-Bresson and many others. Leongard caught them at home and in the studio; in posed portraits and in candid shots of the artists at work and at rest. Complementing these revealing, expertly composed portraits are elegant photographs of the artists holding their favourite or most revered negatives. This beautifully printed duotone monograph presents a unique, personal vision.
Yet the pictures offer a clear connection between the austere poetry of the landscape and O'Keeffe's own self-created outer and inner worlds, her artistic imagination being filtered by the bleached bones and infinite emptiness of the desert, which, as she said herself, "knows no kindness with all its beauty".
"Loengard enlarges our understanding and deepens our appreciation of his photography with insightful commentaries on each of the pictures reproduced in the book. (Who knew that the term silhouette was the name of Louis XV's budget-conscious finance minister?) Just as each photograph is the product of Loengard's vision, these vivid texts give us a glimpse of the mind behind the photographer's eye."--BOOK JACKET.
Photographic portraits taken in 1966 and 1967 of O'Keeffe and her New Mexico surroundings are paired with reproductions of her some of her paintings.
This is a volume of living history - the history of our times, as seen by the photographers who captured it. It is the most comprehensive anthology of LIFE photography ever assembled, and illustrates the strengths that made many of these individuals famous - and LIFE great. This book, an enormous international success in hardback, is now available in a new, compact, paperback edition.
Magna Carta marked a watershed in the relations between monarch and subject and as such has long been central to English constitutional and political history. This volume uses it as a springboard to focus on social, economic, legal, and religious institutions and attitudes in the early thirteenth century. What was England like between 1199 and 1215? And, no less important, how was King John perceived by those who actually knew him? The essays here analyse earlier Angevin rulers and the effect of their reigns on John's England, the causes and results of the increasing baronial fear of the king, the "managerial revolution" of the English church, and the effect of the ius commune on English com...