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These novellas appeared at the height of fin-de-siecle American fascination with Japanese culture. Usually dismissed by critics because of their stereotypical treatment of Asian women, they have been paired here to show how they defined and redefined contemporary misconceptions of the Orient.
Set in ancient Japan, this story follows the journey of a young warrior named Shinichi who, after losing his family and his land, sets out on a quest to find meaning in his life. Along the way, he encounters a mysterious woman who teaches him the secrets of the gods and the true meaning of honor and sacrifice.--Provided by Bookshop.org.
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A 1997 bibliography of American fiction from 1901-1925.
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Don’t miss this prequel to the hit crime series and Netflix film Luther: The Fallen Sun starring Idris Elba—written by the Edgar Award–winning creator and sole writer of the show! A “gripping, taut” (Guillermo del Toro) thriller featuring homicide detective John Luther, “who is intelligent and almost freakishly intuitive [and] belongs not only to the Sherlock Holmes tradition but also to the newer crime-fiction model elaborated by Thomas Harris in his novels Red Dragon, The Silence of the Lambs, and Hannibal” (The New York Times). Is Luther a force for good or a man hell-bent on self-destruction? Meet Detective Chief Inspector John Luther. He’s a homicide detective with an ex...
Where was the gospel before the Reformation? Contemporary evangelicals often struggle to answer that question. As a result, many Roman Catholics are quick to allege that the Reformation understanding of the gospel simply did not exist before the 1500s. They assert that key Reformation doctrines, like sola fide, were nonexistent in the first fifteen centuries of church history. Rather, they were invented by Martin Luther, John Calvin, and others. That is a serious charge, and one that evangelicals must be ready to answer. If an evangelical understanding of the gospel is only 500 years old, we are in major trouble. However, if it can be demonstrated that Reformers were not inventing something ...
Carol Weisbrod uses a variety of stories to raise important questions about how society, through law, defines relationships in the family. Beginning with a story most familiar from the opera Madame Butterfly, Weisbrod addresses issues such as marriage, divorce, parent-child relations and abuses, and non-marital intimate contact. Each chapter works with fiction or narratives inspired by biography or myth, ranging from the Book of Esther to the stories of Kafka. Weisbrod frames the book with running commentary on variations of the Madame Butterfly story, showing the ways in which fiction better expresses the complexities of intimate lives than does the language of the law. Butterfly, the Bride...
Winner of the 2014 Outstanding Book Award presented by the Association for Theatre in Higher Education Taking a performance studies approach to understanding Asian American racial subjectivity, Joshua Takano Chambers-Letson argues that the law influences racial formation by compelling Asian Americans to embody and perform recognizable identities in both popular aesthetic forms (such as theater, opera, or rock music) and in the rituals of everyday life. Tracing the production of Asian American selfhood from the era of Asian Exclusion through the Global War on Terror, A Race So Different explores the legal paradox whereby U.S. law apprehends the Asian American body as simultaneously excluded f...