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Rousseau and the Problem of Human Relations
In this volume, John Warner grapples with one of Jean-Jacques Rousseau’s chief preoccupations: the problem of self-interest implicit in all social relationships. Not only did Rousseau never solve this problem, Warner argues, but he also believed it was fundamentally unsolvable—that social relationships could never restore wholeness to a self-interested human being. This engaging study is founded on two basic but important questions: what do we want out of human relationships, and are we able to achieve what we are after? Warner traces his answers through the contours of Rousseau’s thought on three distinct types of relationships—sexual love, friendship, and civil or political associa...
Rousseau and the Problem of Human Relations
In this volume, John Warner grapples with one of Jean-Jacques Rousseau’s chief preoccupations: the problem of self-interest implicit in all social relationships. Not only did Rousseau never solve this problem, Warner argues, but he also believed it was fundamentally unsolvable—that social relationships could never restore wholeness to a self-interested human being. This engaging study is founded on two basic but important questions: what do we want out of human relationships, and are we able to achieve what we are after? Warner traces his answers through the contours of Rousseau’s thought on three distinct types of relationships—sexual love, friendship, and civil or political associa...
Why They Can't Write
Combining current knowledge of what works in teaching and learning with the most enduring philosophies of classical education, this book challenges readers to develop the skills, attitudes, knowledge, and habits of mind of strong writers.
Joyce's Grandfathers
In Defoe, Smollett, and Sterne, Joyce found not only earlier challenges to that mode but also "a revolutionary nostalgia for myth that paralleled his own response to his rationalist culture." Yet their works also revealed a clear responsiveness to historical circumstances, creating a tension between the timelessness of myth and the chronology of history. Unlike the realists, these particular eighteenth-century novelists "did not try to conceal the tensions between the synchronic and diachronic thrusts of their fiction but rather explored them openly, unafraid of jagged edges and cacophonous effect." It was these explorations, Warner argues, that Joyce found especially useful in the writing of Ulysses. By compelling us to look backward and to see what he saw in his eighteenth-century forebears, Joyce "recreates" them for us
Sustainable. Resilient. Free.
The coronavirus pandemic laid bare the unsustainability of our public higher education system. In Sustainable. Resilient. Free. , author and educator John Warner maps out a path for change. In 1983, U.S. News and Wor
The Funny Man
The funny man is a middling comic in an unnamed city. By day he takes care of his infant son, by night he performs in small clubs. His wife waits tables to support the family. It doesn't sound like much, but they're happy (more or less) - until the day he comes up with his magic gimmick. And what is it? He performs his set with his fist in his mouth. Jokes, impressions, commercials - all take place with his fist wrist-deep in his mouth. People are crazy for him, but he's tired of it. This brilliant debut documents one man's slide from everyman to monster.
The Night Always Comes
'Pacey and visceral.' Sunday Times'Imbued with the noirish urgency of a page-turning thriller.' Irish Times'A tear-struck revelation.' MEGAN ABBOTTBetween looking after her brother, working two low-paid jobs, and trying to take part-time college classes, Lynette is dangerously tired. Every penny she's earned for years, she's put into savings, trying to scrape together enough to take out a mortgage on the house she rents with her mother. Finally becoming a homeowner in their rapidly gentrifying Portland neighbourhood could offer Lynette the kind of freedoms she's never had. But, when the plan is derailed, Lynette must embark on a desperate odyssey of hope and anguish.Written with all Willy Vl...
The Writer's Practice
“Unique and thorough, Warner’s handbook could turn any determined reader into a regular Malcolm Gladwell.” —Booklist For anyone aiming to improve their skill as a writer, a revolutionary new approach to establishing robust writing practices inside and outside the classroom, from the author of Why They Can’t Write After a decade of teaching writing using the same methods he’d experienced as a student many years before, writer, editor, and educator John Warner realized he could do better. Drawing on his classroom experience and the most persuasive research in contemporary composition studies, he devised an innovative new framework: a step-by-step method that moves the student throu...
