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Those Dashing McDonagh Sisters
The trailblazing McDonagh sisters were the first women in Australia to form their own film production company. Between 1926 and 1933, while they were in their mid-twenties, these sassy sisters produced four feature films and a number of documentaries. The youngest, Paulette, was one of only five women film directors in the world. Phyllis produced, art directed, and conducted publicity. And the eldest, Isabel, under her stage name Marie Lorraine, acted superbly in all the female leads. Together, the sisters transformed Australian cinema’s preoccupations with the outback and the bush – and what they mocked as ‘haystack movies’ – into a thrilling, urban modernity. Their private lives ...
The Leopard and the Red River
Tenebrous Rasque is the last hero, cursed to live forever, and the son of the devil.Most say he is a liar.In a strange world, full of strange souls, the stories of Tenebrous precede him wherever he goes. When drunk he exaggerates the tales, when sober he does what he must for money. He has killed many, but most deserved it. Tenebrous lingers reluctantly in this existence, yearning to be with his lost love. While searching, he is coerced into an impossible task. He must cross the vast northern desert, to rescue an aged general's granddaughter from the zealous followers of a man that claims to have returned from the dead. Matthew, the undead god, preaches his knowledge of the afterlife.???????Those that hear his words are driven mad and compelled to spread their master's chaotic message. Matthew needs Tenebrous' most sacred possessions, his father's silver pistols, but more than this, he wants to destroy the last hero and condemn him forever??to a forgotten unmarked grave.
The Theatre of Martin McDonagh
With such plays as The Beauty Queen (1996), The Cripple of Inishmaan (1997), The Lonesome West (1997), A Skull in Connemara (1997), The Lieutenant of Inishmore (2001), and The Pillowman (2003) Martin McDonagh has made a huge reputation for himself in ternationally, winning multiple awards for his work and enjoying universal critical acclaim. Most recently, he won an Oscar for his short film Six Shooter (2006). This collection of essays is a vital and significant response to the many challenges set by McDonagh for those involved in the production and reception of his work. The volume brings together critics and commentators from around the world, who assess the work from a diverse range of often provocative approaches. What is not surprising is the focus and commitment of the engagement, given the controversial and st Whether for or against, this is an essential read for all who wish to enter the complex debate about the Theatre of Martin McDonagh.
McDonagh Plays: 1
Martin McDonagh's plays have been produced in Galway, Dublin, London and New York. They have created excitement and have won numerous awards. In individual editions the plays have been among Methuen's most popular sellers. 'Martin McDonagh's The Leenane Trilogy, one of the great events of the contemporary Irish theatre' (Irish Times). This volume contains: The Beauty Queen of Leenane - 'McDonagh's writing is pitiless but compassionate: he casts a cold, hard, but understanding eye on relationships made of mistrust, hesitation, resentment and malevolence' (Sunday Times); A Skull in Connemara - 'Here, McDonagh's gift is at its most naked and infectious . . . it leaves you giddy with gruesome exhilaration' (Financial Times); The Lonesome West: 'The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting' (Daily Telegraph) "A star is born, bright and blazing, confident, individual and shockingly accomplished" (Sunday Times)
Our Sunshine
Our Sunshine is the tale of a man whose story outgrew his life. Robert Drewe's strikingly imaginative re-creation of the inner life of Ned Kelly is written with a brilliant clarity and impressionistic economy. It carries the reader into a dreamworld of astonishing and violent revelation, an entrancing and frightening landscape of murder, sexuality, persecution, robbery, vanity, politics, and corruption.
Sharing Knowledge for Land Use Management
Emphasizing the conflicts surrounding natural resource decision-making processes, this timely book presents practices that have been developed together with key stakeholders to improve the collection and utilization of locally relevant knowledge in land use planning. Chapters illustrate how indigenous and local knowledge (ILK) can be made spatially explicit by using, for example, participatory GIS.
A Month of Sundays
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Martin McDonagh
This book represents the first collection of original critical material on Martin McDonagh, one of the most celebrated young playwrights of the last decade. Credited with reinvigorating contemporary Irish drama, his dark, despairing comedies have been performed extensively both on Broadway and in the West End, culminating in an Olivier Award for the The Pillowman and an Academy Award for his short film Six Shooter. In Martin McDonagh, Richard Rankin Russell brings together a variety of theoretical perspectives – from globalization to the gothic – to survey McDonagh’s plays in unprecedented critical depth. Specially commissioned essays cover topics such as identity politics, the shadow of violence and the role of Catholicism in the work of this most precocious of contemporary dramatists. Contributors: Marion Castleberry, Brian Cliff, Joan Fitzpatrick Dean, Maria Doyle, Laura Eldred, José Lanters, Patrick Lonergan, Stephanie Pocock, Richard Rankin Russell, Karen Vandevelde
The Cripple of Inishmaan
In 1934, the people of Inishmaan learn that the Hollywood director Robert Flaherty is coming to the neighbouring island to film his documentary Man of Aran. No one is more excited than Billy, an unloved and crippled boy whose chief occupation has been gazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. As news of his audacity ripples through his rumour-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order. With this bleak yet uproariously funny play, Martin McDonagh fulfilled the promise of his award-winning The Beauty Queen of Leenane while confirming his place in a tradition that extends from Synge to O'Casey and Brendan Behan.
