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Behind the scenes, nothing is what it seems. Gord Stewart, 40 years old, single, moved back into his suburban childhood home to care for his widowed father. But his father no longer needs care and Gord is stuck in limbo. He’s been working in the movie business as a location scout for years, and when there isn’t much filming, as a private eye for a security company run by ex-cops, OBC. When a fellow crew member asks him to find her missing uncle, Gord reluctantly takes the job. The police say the uncle walked into some dense woods in Northern Ontario and shot himself, but the man’s wife thinks he’s still alive. With the help of his movie business and OBC connections, Gord finds a little evidence that the uncle may be alive. Now Gord has two problems: what to do when he finds a man who doesn’t want to be found, and admitting that he’s getting invested in this job. For the first time in his life, Gord Stewart is going to have to leave the sidelines and get into the game. Even if it might get him killed.
“American crime fiction fans will welcome the opportunity to sample the short fiction of some worthy Canadian authors.” —Publishers Weekly Following the success of Toronto Noir, the Noir Series explores new Canadian terrain, featuring both English and Francophone authors. Like the city it springs from, Montreal Noir is an intriguing mix of culture, identities, and neighborhoods with one thing in common: the dark side of human nature. This collection presents stories by Patrick Senécal, Tess Fragoulis, Howard Shrier, Michel Basilières, Robert Pobi, Samuel Archibald, Geneviève Lefebvre, Ian Truman, Johanne Seymour, Arjun Basu, Martin Michaud, Melissa Yi, Catherine McKenzie, Peter Kirb...
Set amid the tumult of 1970 Montreal, this is “an extremely good crime novel [with] a seriously compelling mystery” (Booklist). The police in Montreal have their hands full as FLQ, a militant separatist group, continue a campaign of violence. Bombs explode at the stock exchange and at McGill University. Riots break out at a parade. Diplomat James Cross and government minister Pierre Laporte are kidnapped—and the Canadian army moves onto the streets. But while all this is going on, the “Vampire Killer” has murdered three women and a fourth is missing. A young beat cop finds himself almost alone hunting the serial killer, as the rest of the force focuses on the crisis. Constable Eddie Dougherty, the son of a French mother and an Irish-Canadian father, is determined to take matters into his own hands before another victim dies . . . From the acclaimed author of the Toronto series, Black Rock is “a superb police procedural . . . set against the backdrop of a seminal period in Canadian history” (Winnipeg Free Press). “Excellent . . . Well done history and a really good plot line.” —The Globe and Mail (Toronto)
Delving into the concept of identity, this gripping novel tells the story of one man's complex entanglement with an elite and powerfully wealthy family. Written in forceful and poetic prose, this provocative tale takes an honest look at class and the familial bonds that can both protect and destroy.
“Like [Elmore] Leonard, McFetridge is able to convincingly portray flawed figures on both sides of the law” (Publishers Weekly). Montreal, Labor Day weekend, 1972. The city is getting ready to host the first game in the legendary Summit Series between Canada and the USSR. Three men set fire to a nightclub and thirty-seven people die. The Museum of Fine Arts is robbed and two million dollars’ worth of paintings are stolen. Against the backdrop of these historic events, Constable Eddie Dougherty discovers the body of a murdered young man on Mount Royal. As he tries to prove he has the stuff to become a detective, he is drawn into the world of American draft dodgers and deserters, class p...
Detectives Price and McKeon are called to the scene - a husband and wife found slumped in their car, parked sideways on a busy downtown on - ramp, a bullet in each of their heads. That's what's in the papers, and that's all the public sees. Toronto the Good, with occasional specks of random badness. But behind that disposable headline, Toronto's shadow city sprawls outwards, a grasping and vicious economy of drugs, guns, sex, and gold bullion. And that shadow city feels just like home for Get - a Detroit boy, project - raised, ex - army, Iraq and Afghanistan, only signed up for the business opportunities, plenty of them over there. Now he's back, and he's been sent up here by his family to s...
"McFetridge channels Elmore Leonard at the height of his powers, with dialogue Quentin Tarantino would kill for."—Ken Bruen The author of two critically acclaimed Canadian crime novels, with Let It Ride John McFetridge takes us deep inside the gray zone that exists between the Canadian/American border, delivering all the up to the minute twists and edgy action of an episode of The Wire. Vernard ‘Get' McGetty is back from serving in Afghanistan, back dealing drugs in Detroit and looking to move up with his buddy JT, a guy he met in Kandahar who also happens to be the leader of the Saints of Hell—a notorious Ontario biker gang currently in the process of taking over all North of the bord...
Two aging rock stars plot against the manager who ripped them off in this witty thriller by “Canada’s answer to Elmore Leonard” (Toronto Star). The High, a band with a few hit songs back in the late 1970s, have reunited to play the nostalgia circuit at casinos. But for bassist Barry and lead singer Cliff, this tour will be more lucrative than it appears, as they team up to turn the tables on the gritty underworld of these gambling palaces—robbing the loan sharks and drug dealers who work at every stop of the tour. After coming across their old manager, who had swindled millions from them years ago, Barry and Cliff decide to go for the big score and get it all back—and more. But when a notoriously dangerous motorcycle gang gets involved, all bets are off. “Things start accelerating from the opening line, which sets the tone [and] engages interest perfectly . . . McFetridge is able to convincingly portray flawed figures on both sides of the law.” —Publishers Weekly
2113 is an anthology of stories inspired by the music of Rush, written by notable, bestselling and award-winning authors. The music of Rush, one of the most successful bands in music history, is filled with fantastic stories, evocative images, thought-provoking futures and pasts. In this anthology, notable, bestselling and award-winning writers each chose a Rush song as the spark for a new story, drawing inspiration from the visionary band. From stark dystopian struggles to uplifting triumphs of the human spirit, the characters in these stories find stregth in an oppressive world.
Nothing is what it seems and everyone knows more than they let on in this fast-paced crime story. On a busy street on a Monday morning, a man behind the wheel of an SUV is shot in the head, and his killer drives off before the light changes. But what appears to be road rage or a random act of violence is actually an opportunity for everyone—everyone, that is, but the victim. The getaway driver is a Russian mobster who needs to rent a space for his new strip club, which funds his other, even less savory enterprises. The eyewitness is a real estate agent with some new leverage, legal and otherwise, on that strip club lease. Her other tenant, a petty pornographer, sees a chance to expand his business—if the realtor plays along—and the homicide squad sees its own opportunities in the brazen murder. Events unfold with speed and surprise as the players eye the prize and race to the finish.