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An edition of nine of McGrath's plays. It covers McGrath's work for the 7:84 Theatre Company, spanning four decades, from the 1960s through to the 1990s. The book has a substantial contextualising introduction and commentary on the plays by Nadine Holdsworth, one of the leading specialists in the work of John McGrath.
Strathoykel, Sutherland. "When the Sheriff and his men arrived, the women were on the road and the men behind the walls. The women shouted 'Better to die here than America or the Cape of Good Hope'. The first blow was struck by a woman with a stick. The gentry leant out of their saddles and beat at the women's heads with their crops." (John McGrath)
In this account of the uses of surveillance in art, performance and popular culture, John E. McGrath puts forward the idea that we have much to gain from the experience of being watched.
Given the degree of popular fascination with Gnostic religions, it is surprising how few pay attention to the one such religion that has survived from antiquity until the present day: Mandaism. Mandaeans, who esteem John the Baptist as the most famous adherent to their religion, have in our time found themselves driven from their historic homelands by war and oppression. Today, they are a community in crisis, but they provide us with unparalleled access to a library of ancient Gnostic scriptures, as part of the living tradition that has sustained them across the centuries. Gnostic texts such as these have caught popular interest in recent times, as traditional assumptions about the original forms and cultural contexts of related religious traditions, such as Judaism, Christianity, and Islam, have been called into question. However, we can learn only so much from texts in isolation from their own contexts. Mandaean literature uniquely allows us not only to increase our knowledge about Gnosticism, and by extension all these other religions, but also to observe the relationship between Gnostic texts, rituals, beliefs, and living practices, both historically and in the present day.
With hundreds of strategies, insider's tips and techniques, this book is useful for home-buyers and property investors alike.
John M. McGrath, a young Navy pilot who was captured in 1967 after being shot down over Vietnam, vividly presents a straightforward and compelling tale of survival, of years of suffering, and of the human will to endure. During the era of the unpopular Vietnam War few issues united the American people as did the emotion-laden problem of POWs and MIAs. When the peace treaties were finally signed and the POWs returned to American soil, the nation was collectively relieved by their safe return. A self-taught artist, the starkness of McGrath's drawings underscores his remarkable and moving chronicle of the lives of these prisoners, who were constantly in peril, attempting to survive a brutal captivity almost unimaginable in civilized times.
The core message is: be the best person you can be. John applies this to both your business and your life. Includes advice on: being open to change; positive thinking; goal setting; achieving clarity and focus in your life, work and business; accepting responsibility for your successes and failures; developing your intuition.
Drawn from primary source documents from around the world, "John Barry: First Among Captains" brings the story of this self-made American hero--the Father of the American Navy--back to life in a major new biography.
Discusses the importance of John McGrath's role in theatre, film and television in the last four decades of the 20th century.
A sunny September day. Heather Smithson, a senior MI5 controller, has a dilemma. Her job is on the line. She pauses in the sunshine to brood on recent events and what they mean in her life. Seattle, Genoa, New York: What is the battleground? Who is the enemy? Hyperlynx was performed as a one act rehearsed reading at the Edinburgh Festival in August 2001. Its grim premonition of the terrorist activity of September 11th, necessitated that John McGrath wrote a second act. He completed the play in November before his death in January 2002. Hyperlynx was the winner of the Fringe First Award, Edinburgh 2002