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While researching celestial mythology at Brigham Young University, John McHugh stumbled upon the arcane code that is the template for the legends and miracles in all Mesopotamian, Greek, Roman, Jewish, Christian, and Islamic scriptures. This code was embedded in the archaic Mesopotamian belief system that conceptualized the astral sky as the “heavens,” and its constellations and planets as deities inhabiting this divine realm. Celestial tableaux were understood as historical scenes that had once taken place on earth. Mesopotamian astronomers were regarded as magicians, the magi, whose task was to interpret and elaborate secretly on this “Heavenly Writing”— the literal writing of the gods. The Celestial Code of Scriptures is the first book to present and explain this secret Mesopotamian cipher.
‘One of the most exciting writers working in Ireland today’ SALLY ROONEY, author of Normal People ‘Terrific’ RODDY DOYLE, author of Love ‘Truly brilliant’ MEGAN NOLAN, author of Acts of Desperation
This major, authoritative reference work embraces the spectrum of organized political activity in the British Isles. It includes over 2,500 organizations in 1,700 separate entries. Arrangement is in 20 main subject sections, covering the three main p
The figure of Sejanus has fascinated from ancient to more modern times. Sejanus, the emperor Tiberius' infamous Praetorian Prefect, is synonymous with overreaching ambition, murder, conspiracy and betrayal. According to the traditional storyline, this man craved the imperial throne for himself and sought it by isolating the naive emperor in his island pleasure palace on Capri whilst using his control over the Praetorian Guard, coupled with his immense power and influence in Rome, to purge the capital of potential opponents. His victims supposedly included the emperor's son, Drusus, poisoned by his own wife who had been seduced by Sejanus. The emperor, forewarned of Sejanus' ambition, struck first. The Prefect was arrested in the Senate, strangled and his corpse cast down the Gemonian Stairs. Study of Sejanus has generally been overshadowed by focus on Tiberius. John McHugh makes a fresh appraisal of the sources to offer the first full-length study in English to focus on this highly influential figure and his development of the Praetorian Prefecture.
For over one hundred years the International Critical Commentary has had a special place amongst works on the Bible. This new volume on John brings together all the relevant aids to exegesis - linguistic, textual, archaeological, historical, literary and theological - to enable the scholar to have a complete knowledge and understanding of this New Testament book. McHugh incorporates new evidence available in the field and applies new methods of studies. No uniform theological or critical approach to the text is taken.
This historical biography goes beyond popular legend to present a nuanced portrait of the first century Roman emperor. Commodus, who ruled over Rome from 177 to 192, is generally remembered as a debaucherous megalomaniac who fought as a gladiator. Ridiculed and maligned by historians since his own time, modern popular culture knows him as the patricidal villain in Ridley Scott’s film Gladiator. Much of his infamy is clearly based on fact, but John McHugh reveals a more complex story in the first full-length biography of Commodus to appear in English. McHugh sets Commodus’s twelve-year reign in its historical context, showing that the ‘kingdom of gold’ he supposedly inherited was actually an empire devastated by plague and war. Openly autocratic, Commodus compromised the privileges and vested interests of the senatorial clique, who therefore plotted to murder him. Surviving repeated conspiracies only convinced Commodus that he was under divine protection, increasingly identifying himself as Hercules reincarnate. This and his antics in the arena allowed his senatorial enemies to present Commodus as a mad tyrant—thereby justifying his eventual murder.
The beautiful and lively sketches in this volume are travel sketches by the Santa Fe architect John McHugh-designer of the first Santa Fe Opera Pavilion and designer and restoration architect for a host of churches, fine houses, and commercial and institutional buildings in New Mexico. McHugh was a consummate traveler. His journeys took him throughout New Mexico and to other parts of the US, Mexico, and Europe. The travel sketches in this volume are from the eight travel-worn sketchbooks that he left behind after his death in 1995. Here are mostly his sketches of New Mexico, but also included is a good smattering of sketches from his other journeys. His eye for detail, for capturing the esse...
Charles J. Callan's 'Moral Theology' stands as a magisterial work that delves deeply into the ethical foundations and implications of Catholic doctrine as synthesized by the Angelic Doctor, St. Thomas Aquinas. With an incisive and systematic approach, Callan elucidates the Thomistic principles that underpin moral action, providing a meticulous explication that weaves together Aquinas's rich legacy with biblical teachings. The book aligns itself squarely within the neo-scholastic movement, offering a literary style that is both rigorous in scholastic methodology and accessible to those seeking a profound understanding of Catholic moral reasoning. We find within its pages a framework that not ...
The collected adventures of England’s greatest occult investigator! When the man called the Witchfinder becomes an agent of the Queen, he is led from the sparkling echelons of Victorian London to its dark underbelly, through the American West, and to explore the mysteries of Unland! Throughout his adventures, he’ll face occult conspiracies, rampaging monsters, and London’s most infamous secret society: the Heliopic Brotherhood of Ra! This first omnibus edition collects Sir Edward Grey: Witchfinder volumes 1-3, complete with extensive sketchbook section, now in paperback!
A folklorist explores the storytelling traditions of a small Irish town where local character anecdotes build community across sectarian divides. More than quaint local color, folklore is a crucial part of life in Aghyaran, a mixed Catholic-Protestant border community in Northern Ireland. Neighbors socialize during wakes and ceilis—informal nighttime gatherings—without regard to religious, ethnic, or political affiliation. The witty, sometimes raucous stories swapped on these occasions offer a window into Aghyaran residents’ views of self and other in the wake of decades of violent conflict. Through anecdotes about local characters, participants explore the nature of community and identity in ways that transcend Catholic or Protestant sectarian histories. Ray Cashman analyzes local character anecdotes in detail and argues that while politicians may take credit for the peace process in Northern Ireland, no political progress would be possible without ordinary people using shared resources of storytelling and socializing to imagine and maintain community.