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Old friends and new faces join the scholars, rogues and countrymen of Brensham with its crooked village street and crooked church spire. Among its rare individuals who share an obstinacy for making life a romantic and hilarious adventure are those lively landgirls, The Frolick Virgins, Dai, the hymn-singing postman, and William Hart who claimed to be descended from William Shakespeare and loved Pheemy, the young gypsy, not wisely but too well.
John Moore has focused on the issue ofundocumented immigration to the United Statesfor a decade. His access to immigrants during theirjourney, and to U.S. federal agents tasked withdeterring them, sets his pictures apart. Moore hasphotographed the entire length of the U.S. southernborder, and traveled extensively throughout CentralAmerica and Mexico, as well as to manyimmigrant communities in the United States. Hiswork includes rare imagery of ICE raids, massdeportations, and the resulting widespread fear inthe immigrant community. For its broad scope andrigorous journalism, Undocumented: Immigrationand the Militarization of the United States-MexicoBorder is the essential record on the prevailing U.S.domestic topic of immigration and border security.
Portrait of Elmbury is the first book of the famous trilogy of country life, The Brensham trilogy. It is a wonderful and exuberant chronicle of an English market town between the wars, distinguished with an historic abbey, a winding river and bustling pubs and with a cast of characters that could have stepped out of Hogarth or Shakespeare, as seen through the eyes of the narrator as a child. He brings to life a world of mutual dependence and tolerant acceptance of people's foibles.
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