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John Wesley (1703-91) founded the Methodist movement, initially an offshoot of the Church of England, which grew into a major church in its own right. In doing so Wesley brought about the greatest religious revival of the 18th century. The name Methodism derives from the methodical approach Wesley adopted from the Bible for developing personal devotion. His decision to employ lay preachers and preach outdoor sermons on the Word of God to a mainly working-class population angered the Church of England. It led to a split and in 1795, after John Wesley's death, the Methodist Church was established. Wesley travelled over 250,000 miles across Britain, mainly on horseback, preaching over 40,000 se...
Contents: "John Wesley and the Origins of Methodism" by Owen Chadwick; "Methodist Origins in Atlantic Canada" by John Webster Grant; "Laurence Coughlan and the Origins of Methodism in Newfoundland" by Hans Rollmann; "Henry Alline, William Black, and Nova Scotia's First Great Awakening" by George Rawlyk; "`Give All You Can': Methodists and Charitable Causes in Nineteenth Century Nova Scotia" by Allen B. Robertson; "Methodism and the Problem of Methodist Identity in Nineteenth-Century New Brunswick" by T.W. Acheson; "Prince Edward Island Methodist Prelude to Church Union, 1925" by James D. Cameron; "Methodism and Education in the Atlantic Provinces, 1800-1874" by Goldwin French; "The Golden Ag...
The study of popular culture has been an abiding preoccupation of historians and other academics, not just in the British Isles but elsewhere too. This volume of essays explores the manifestations of popular culture and belief in England, Ireland and Wales from the Reformation onwards. As an interdisciplinary collection it brings together specialists in English Literature, History, Celtic and Religious Studies. It offers new insights thematically via a selection of diverse contributions. The nexus between religion and popular culture links the contributions together, while the geographical spread of the topic facilitates a dynamic comparative methodology. What emerges from these explorations of rites of passage, festivals, revivalism, print culture and gender is the remarkable resilience of popular culture and the extent to which all levels of society were prepared to compromise.
The practical and theological development of eighteenth-century Methodism.
One of the most powerful poets of his generation consolidates his reputation as an exceptionally forthright and astringent critic in this book that analyzes the relationship between English-language literature, especially poetry, and nineteenth and twentieth-century politics. Tom Paulin's criticism stays on track, always responsive to a work's characteristic genius and sensitive to its social setting. Each of these essays--on poets ranging from Robert Southey and Christina Rossetti to Philip Larkin, from John Clare to Elizabeth Bishop and Ted Hughes, with a few excursions into the poetry of Eastern Europe for contrast--is informed by a love for poetry and a lively attention to detail. At every turn, Paulin demonstrates the intricate connection between the private imagination and society at large, simultaneously illuminating the kinship between the literature of the past and of the present. He also relates the poetry to themes of nationhood and to ideas about orality, speech rhythms, and vernacular background. Minotaur exemplifies the sort of general, accessible criticism of the arts that will interest a wide range of readers.