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Nigel Hawthorne on Stage
Presenting a fresh look at postwar theater, this study of the late Sir Nigel Hawthorne's 50-year career in the theater focuses on the personal journey of one of Britain's finest actors. Providing detailed analysis of Hawthorne's stage work, this authorized biography is illuminated and enriched by personal insights derived from Hawthorne's own memories and those of his colleagues. Broad discussions about Hawthorne's personal development as well as the direction stage acting took in the 20th century are integrated with details about the actor's extensive career.
Straight Face
"Success in relationships was late arriving too. It was only when Nigel met production manager Trevor Bentham in 1978 that he finally found the happiness and stability he longed for, and to which he attributes the rest of his phenemonal career." "Completed only a few days before he died, Nigel Hawthorne's honest and witty autobiography is a moving testament to this most courageous, brilliant and self-effacing of actors."--BOOK JACKET.
Shakespeare
The purpose of this book is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as recreated in these two very different formats and within the conflicted environment of shifting critical paradigms. The two traditions - Shakespeare on stage and Shakespeare on film - have experienced a midair collision with postmodernism. The results are beginning to be chronicled.
Phospholipids
None
The Listener
None
Citizen Spielberg
Steven Spielberg is the director or producer of over one third of the thirty highest grossing films of all time, yet most film scholars dismiss him as little more than a modern P. T. Barnum--a technically gifted and intellectually shallow showman who substitutes spectacle for substance. To date, no book has attempted to analyze the components of his worldview, the issues which animate his most significant works, the roots of his immense acceptance, and the influence his vast spectrum of imaginative products exerts on the public consciousness. In Citizen Spielberg, Lester D. Friedman fills that void with a systematic analysis of the various genres in which the director has worked, including science fiction (E.T.), adventure (Raiders trilogy), race films (The Color Purple, Amistad), and war films (Saving Private Ryan, Schindler’s List). Friedman concludes that Spielberg’s films present a sustained artistic vision combined with a technical flair matched by few other filmmakers, and makes a compelling case for Spielberg to be considered as a major film artist.
