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Michael Oakeshott as a Philosopher of the Creative
This book is a collection of eight (mostly) recent essays on the work of the 20th-century English philosophic essayist, Michael Oakeshott. Six of them advance the view in different ways that Oakeshott's multifarious lifework may be understood as variations on a singular insight — that the structure of experiential reality is 'creative' or 'poetic’, with the form and content (the how and what) of thought and activity occurring simultaneously and conditioning one another reciprocally; and that this experiential structure has specifiable cultural, political and legal ramifications. In advancing and illustrating this viewpoint, comparisons and contrasts are drawn with medieval nominalism, ph...
Walter Oakeshott
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The Poetic Character of Human Activity
The Poetic Character of Human Activity is a collection of essays by two Oakeshott scholars, most of which explores the meaning of Oakeshott’s pregnant phrase, “the poetic character of human activity” by comparing and contrasting this idea with similar and opposing ones, in particular those of the Taoist thinker, Zhuangzi (Chuang Tzu), and his Western interpreter, A.C. Graham. Oakeshott’s deep appreciation of the poetic and non-instrumental character of human activity led him to develop an interest in the works of Zhuangzi and Confucius. Comparison of shared themes between Oakeshott and these two Chinese thinkers facilitates appreciation of his elegant analytic style and his resort to...
Oakeshott and His Contemporaries
"Oakeshott and His Contemporaries is an exploration of the ideas of one of the most important twentieth-century English political philosophers vis-a-vis related ideas in the thought of seven prominent European thinkers, spanning a millennium and a half. The intent of the exploration is not an attempt to uncover Oakeshott's intellectual influences (a dubious project in the case of any original thinker), but rather to show the importance and coherence of Oakeshott's various themes by showing how they modify, amplify, and contrast with similar and related themes in the thought of seven better known thinkers - Montaigne, St. Augustine, Hegel, Hobbes, Benjamin Constant, Rousseau, and Hume."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Jesus on Stage
Jesus on Stage argues that the Gospel of John is, in its present form, an ancient historical novel, but that the evangelist’s first version was his own draft for a Greek play. The development of Greek drama at Athens is briefly described, with new suggestions on some details, and the continuing influence of the great Greek tragedians in the 1st Century AD is shown. Then the internal evidence in the gospel which points to an earlier draft play is marshalled: not merely dramatic scenes, some of which echo Sophocles, but speeches only appropriate to the stage, puzzling features which make sense if they were devised with theatrical presentation in mind, others which suggest the chorus of a play; and a drastic reshaping of the Synoptic storyline to centre the whole work on Jerusalem, with a Jesus who resembles the hero of a play. All this has later been expanded to form a novel, including incidents in the ‘mystery and suspense’ tradition beloved by ancient novelists. But the book is not only for scholars; anyone re-examining John’s gospel from this standpoint will find new depths in the evangelist’s seldom historical but deeply spiritual creation.
Michael Oakeshott as a Philosopher of the "creative"
This book is a collection of eight (mostly) recent essays on the work of the twentieth-century English philosophic essayist, Michael Oakeshott. Six of them advance the view in different ways that Oakeshott's multifarious lifework may be understood as variations on a singular insight -- that the structure of experiential reality is 'creative' or 'poetic', with the form and content (the how and what) of thought and activity occurring simultaneously and conditioning one another reciprocally; and that this experiential structure has specifiable cultural, political and legal ramifications. In advancing and illustrating this viewpoint, comparisons and contrasts are drawn with medieval nominalism, ...
Michael Oakeshott and the Cambridge School on the History of Political Thought
This book is a critique of Cambridge School Historical Contextualism as the currently dominant mode of history of political thought, drawing upon Michael Oakeshott’s analysis of the logic of historical enquiry. While acknowledging that the early Cambridge School work represented a considerable advance towards genuinely historical histories of political thought, this work identifies two major historiographical problems that have become increasingly acute. The first is general: an insufficiently rigorous understanding of the key concept of "pastness" necessarily presupposed in historical enquiry of all kinds. The second is specific to histories of political thought: a failure to do justice t...
The Activity of Politics and Related Essays
Animated by the single theme of the nature of politics, this collection of ten essays addresses such diverse topics as liberalism; education; arms control; the relation of politics to armed force; the theories of Michael Oakeshott, Karl Marx, John Dewey, and Alberto Moravia; and the challenges to politics in a republic.
Morality and Politics in Modern Europe
In 'Morality and politics in modern Europe', Oakeshott argues that two conflicting moralities underlie two opposed understandings of the office of government in modern Europe. On one hand is the morality of individuality, according to which the role of government is to frame and enforce rules of law that enable individuals to invent and pursue in peace their own diverse projects. On the other is the morality of collectivism, by which government is interpreted as the manager of a unified enterprise whose function is to provide for the community, regarded as an organic whole that pursues a single project to which all other activities are subordinate.
Jesus on Stage
Jesus on Stage argues that the Gospel of John is, in its present form, an ancient historical novel, but that the evangelist's first version was his own draft for a Greek play. The development of Greek drama at Athens is briefly described, with new suggestions on some details, and the continuing influence of the great Greek tragedians in the 1st Century AD is shown. Then the internal evidence in the gospel which points to an earlier draft play is marshalled: not merely dramatic scenes, some of which echo Sophocles, but speeches only appropriate to the stage, puzzling features which make sense if they were devised with theatrical presentation in mind, others which suggest the chorus of a play; and a drastic reshaping of the Synoptic storyline to centre the whole work on Jerusalem, with a Jesus who resembles the hero of a play. All this has later been expanded to form a novel, including incidents in the 'mystery and suspense' tradition beloved by ancient novelists. But the book is not only for scholars; anyone re-examining John's gospel from this standpoint will find new depths in the evangelist's seldom historical but deeply spiritual creation.
