You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
New gothic horror from Bram Stoker Award winning author, and recent past President of the Horror Writers Association, John Palisano. Ava must fight an entity locked in on taking out the crew of the Eden, a moon-sized cemetery in space, as it brings back the souls of the dead buried aboard. One such soul is Ava’s lost love, Roland. The spirits of the interred on the Eden haunt those aboard, including a visiting musician is tasked with writing a new song for the dead. Her Requiem calls a cosmic entity that illuminates their darkest fears and secrets. One by one, they’re driven mad. Ava fights her grief and must rise up before they’re lost and the entity reaches Earth. FLAME TREE PRESS is the imprint of long-standing independent Flame Tree Publishing, dedicated to excellent original writing in horror, science fiction and fantasy. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more at www.flametreepress.com and connect on social media @FlameTreePress. Awarded independent publisher of 2024 by the British Fantasy Society.
For a while, it looked like the living had won. The war against the walking dead lasted almost a decade, but it's mostly over. There are only a few straggling zombies left to take care of. Los Angeles has returned to its lattes and long commutes. It's up to a small Reclamation Crew to clean up the Zoms left behind. But when the undead dry up, their skin turns to dust. Now the hot Santa Ana winds deliver a new threat ... because the Zoms were only the beginning of something far worse.
Netflix's The Haunting of Hill House has received both critical acclaim and heaps of contempt for its reimagining of Shirley Jackson's seminal horror novel. Some found Mike Flanagan's series inventive, respectful and terrifying. Others believed it denigrated and diminished its source material, with some even calling it a "betrayal" of Jackson. Though the novel has produced a great deal of scholarship, this is the first critical collection to look at the television series. Featuring all new essays from noted scholars and award-winning horror authors, this collection goes beyond comparing the novel and the Netflix adaptation to look at the series through the lenses of gender, architecture, education, hauntology, addiction, and trauma studies including analysis of the show in the context of 9/11 and #Me Too. Specific essays compare the series with other texts, from Flanagan's other films and other adaptations of Jackson's novel, to the television series Supernatural, Toni Morrison's Beloved and the 2018 film Hereditary. Together, this collection probes a terrifying television series about how scary reality can truly be, usually because of what it says about our lives in America today.
After a century-long Sleep, Tynan Llywelyn has awoken to find the world he once knew obliterated by a brutal war of epic proportions. In a new apocalytic society bitterly divided by magic and technology, the Tyst Empire has found that a hundred years of global domination is not enough to sate their thirst for power. They have discovered the secret of the vampire race and have designed a plan to seize their own sinister form of immortality with the help of an ancient vampiric god. The rebel uprising known as the Phuree have obtained the knowledge of Lord Cardone’s plans and have allied themselves with the remaining Immortal race. The powerful Phuree oracle, Nahalo, has had a vision that in Tynan alone lies the power to defeat the vampiric god and the dictatorship. Cast in violence and conspiracy into the mist of the bloodshed, in a world he is still struggling to define, Tynan must make the harrowing decision to save the world he so bitterly detests or stand and watch as humanity is destroyed by a primordial evil beyond all imagining...
We barely notice them, though they are all around us, flying overhead, singing … or just watching. But lately Gabrielle has been noticing the birds. Especially the mysterious black birds that seem to call to her, to follow her, to dive at her. They stare at her with their soulless, black eyes. Soon incidents with birds begin to appear on the news. People are getting hurt. The birds are out of control. Then Gabrielle notices that bees, too, are becoming more dangerous … Birds, bees, hornets, wasps … The city is under siege. Nature has run amok. Death hovers in the sky, then swoops down on the unsuspecting in a swarm. How can mankind fight an enemy that numbers in the billions? Could Gabrielle somehow hold the key?
The house looks so normal. Just a charming home in a small town–perfect for a young couple starting out together. But this house was built on the site of an unspeakable series of murders, butchery so savage that the brick walls of the basement seemed to flow with blood. Tony was just a boy then, but he stood and watched as the notorious house was demolished. Now he's a man, and he's brought his beautiful young wife with him to live in the new house built on the site, without telling her of its hideous secret. Still the nightmares come to her, visions of horror, suffering and perversion, drawing her down to the basement, to a dank tunnel that lies beyond a wall. What calls to her from inside the tunnel? What waits in the darkness to be unleashed?
Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. Over half a century since his earliest publications, Hollywood filmmakers continue to reinvent, reimagine, remake, and reboot King's stories, with mixed results. This book, volume 1 in a series, examines the various screen adaptations of King's first three novels: Carrie, Salem's Lot, and The Shining. Reaching further than questions of fidelity to the author and adherence to directorial visions, it charts the development of each individual adaptation from first option to final cut. Through old and new interviews with the writers, producers, and directors of these films--as well as in-depth analyses of produced and unproduced screenplays--it illuminates the adaptation process as an intricately collaborative endeavor. Rather than merely synopsize the resulting stories, its goal is to compare, contrast, and contextualize each of these adaptations as the products of their creators.
Terror Scribes is a satisfyingly diverse anthology, furnished with nebulous, original tales guaranteed to set your teeth on edge and give you bouts of gooseflesh. From the home-grown talent of Sue Phillips to prolific US gore-hound Deb Hoag, from the satirists to the psychopaths to the traditionalists, from demonic possession of celebrities to masturbating werewolves, from hair-raising fairytales to disturbing accounts of everyday terror, you will shiver and gasp and question. We are not oblivious to the fear Terror Scribes will evoke. Quite the contrary, we're advocates of it . . .