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'The only remarkable thing people can tell of their doings these days is that they have stayed at home', declared George Eliot in 1869. In Victorian and Edwardian Britain travel became the rage. The middle classes and the aristocracy seemed in a constant flux of arrival and departure, their luggage festooned with foreign labels. The revolution in transport made this possible. The Mediterranean Passion describes how the British travelled to the South and where they went. Drawing on what these travellers wrote, and what was written for them, it enriches our understanding of the Victorians and Edwardians by exploring the medical, religious, sexual and aesthetic dimensions of their journeys and ...
It has sometimes been assumed that the difficulty of translating Shakespeare into French has meant that he has had little influence in France. Shakespeare Goes to Paris proves the opposite. Virtually unknown in France in his lifetime, and for well over a hundred years after his death, Shakespeare was discovered in the first half of the eighteenth century, as part of a growing French interest in England. Since then, Shakespeare's impact in France has been enormous. Writers, from Voltaire to Gide, found themsleves baffled, frustrated, mesmerised but overawed by a playwright who broke all the rules of French classical theatre and challenged the primacy of French culture. Attempts to tame and translate him alternated with uncritical idolisation, such as that of Berlioz and Hugo. Changing attitudes to Shakespeare have also been an index of French self-esteem, as John Pemble shows in his sparkingly written book
What are the origins of the modern passion for Venice? During the two hundred years since its political extinction, the shabby relic of a despised tyranny has been transformed into a great modern cultural symbol celebrated by intellectual and literary figures such as Ruskin, Proust, Mann and Henry James. This engaging and novel interpretation explores the American and European obsession with the myth of a beautiful city, and in doing so reveals much about the development of modern Western sensibility. 'This book can be enjoyed whether or not you have been to Venice, or whether you never intend to go.' Daily Telegraph 'Full of fresh and little-known material; it is almost unfailingly interesting and invariably well written.' Tony Tanner, New York Review of Books 'An entirely fascinating history of the city as she has been seen, as image and icon ... convincingly argued and consistently entertaining.' Independent
Benjamin Disraeli was the most gifted parliamentarian of the nineteenth century and a superb orator, writer and wit - but how much do we really know about the man behind the words? 'As Douglas Hurd and Edward Young point out in their splendidly written, finely judged and thoroughly persuasive book, a vast chasm yawned between the real Disraeli and his posthumous reinvention' Dominic Sandbrook, SUNDAY TIMES 'Not only, they tell us in this vigorously debunking romp through his political life, did he never use the phrases "One Nation" or "Tory Democracy", he was actively hostile to the concepts that they are now understood to represent' Sam Leith, THE SPECTATOR 'The book is more a study in character . . . than a staid political narrative. As a result, Disraeli: Or the Two Lives is full of unexpected jolts and paradoxes . . . It proves an unflagging pleasure to read' Richard Davenport-Hines, GUARDIAN 'So intoxicating that you will find yourself snorting it up in one go, as I did, with great pleasure' Boris Johnson, MAIL ON SUNDAY
John Addington Symonds (Bristol 1840 - Rome 1893) was one of Victorian Britain's most prolific authors, with works that included poems, translations, travel essays, and scholarly studies on topics ranging from classical literature to the Renaissance to the poetry of his contemporaries. Today, however, he is usually remembered for his long unpublished Memoirs, a major early monument of queer life-writing, and for two privately printed, secretly circulated essays, one of which includes the earliest printed appearance in English of the word homosexual. This new word, first coined in German, has long provided a useful milestone for historians of sexuality charting the emergence not only of new typologies but of whole new regimes of knowledge. But what of the rest of Symonds's vast body of work? This book returns to Symonds, not as the origin of a now familiar history, but as a far more complex thinker, with an ambitious vision of the queerness of the world itself—and of what it means to live in it.
This book explores the relationship between literary politics and the politics of place in fin-de-siècle travel and place-based literature.
An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.
Public life in Great Britain underwent a major transformation after the repeal of the Test and Corporation Acts in 1828 and the passage of the Catholic Relief Act of 1829, which eliminated the requirement that men in public positions swear to uphold the doctrines of the Anglican Church. According to Lubenow (Stockton College), these legislative changes initiated a fundamental reallocation of power, opening many careers to men of talent and educational qualifications, including those whose perspectives and intellectual dispositions led them to question the validity of uniform religious dogma. Lubenow identifies members of the Benson, Strachey, Balfour, Lyttelton, and Sitwell families among th...