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JOHN PETER RUSSELL.
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A Remarkable Friendship
A huddle of wooden sheds in a courtyard off the Boulevard Montmartre known as Cormon's atelier was where the handsome art student from Sydney, John Peter Russell, first met the haunted, intense newcomer from Holland, Vincent van Gogh. Both were foreigners in the competitive art world of Paris in the 1880s, and over the next two years both would discover a passion for colour painting. Now, for the first time, Ann Galbally traces the passage of this extraordinary and unlikely friendship. The two spent hours together in a Paris studio experimenting with the fast-moving changes in art practice. Both artists ultimately rejected the Impressionist's world of urban sophistication and left Paris to develop colour painting in isolation, Van Gogh at Arles in Provence, and Russell on Belle Ile off the coast of Brittany. With a supporting cast including Gauguin, Rodin, Monet and Matisse this is a journey through the struggles and failures, plots and intrigues of artistic life. A tale of love found and lost and ultimate tragedy, it makes for enthralling reading.
John Russell
Working in Europe at the end of the 19th century, John Russell (1858-1930) was part of the French avant-garde and the only Australian painter to have been closely associated with some of the most original and influential artists in France. He was a close friend of Van Gogh and Rodin, dined with Monet and taught impressionist colour theory to Matisse. Yet, despite the efforts of fellow Australian artist Thea Proctor, his cousin, he remains little known. This major survey presents the breadth of Russell's art from his studies in London and Paris, through impressionism and experimentation with pure colour, to his later fauve-like luminous watercolours.
Australia's Impressionists
Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Delphi Complete Works of John Everett Millais (Illustrated)
Founder of the Pre-Raphaelite Brotherhood, the English painter Sir John Everett Millais was a principal figure of nineteenth century British art. Along with Rossetti and Holman Hunt, he confronted the art establishment with a daring challenge to ignore 500 years of history and the corrupting influence of Raphael. An extraordinary range of paintings sought a bold return to the abundant detail, intense colours and complex compositions of the early Renaissance. Millais produced meticulously detailed artworks, forming an extraordinary and diverse oeuvre that infused new life into British art. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to e...
Canada's Odyssey
In Canada's Odyssey, renowned scholar Peter H. Russell provides an expansive, accessible account of Canadian history from the pre-Confederation period to the present day.
