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A Punitive Society
‘New Zealand has one of the highest levels of imprisonment in the Western world. Yet the growth of imprisonment in New Zealand has occurred when the crime rate here, as in most other Western societies, has been in significant decline. Why, then, the disjuncture?’ In this penetrating BWB Text, John Pratt describes the dramatic transformation in penal thought that has recently taken place in this country. Rising imprisonment in New Zealand, against the background of a falling crime rate, is connected with changes in how we, as a society, think about the purpose and function of punishment. This growth of ‘penal populism’, Pratt asserts, has caused enormous and lasting damage to New Zealand’s social fabric.
Penal Populism
Following the USA, in many Western countries over the last decade, prison rates have increased while crime rates have declined. This key book examines the role played by penal populism on this and other trends in contemporary penal policy.
The New Punitiveness
Throughout much of the western world more and more people are being sent to prison, one of a number of changes inspired by a 'new punitiveness' in penal and political affairs. This book seeks to understand these developments, bringing together leading authorities in the field to provide a wide-ranging analysis of new penal trends, compare the development of differing patterns of punishment across different types of societies, and to provide a range of theoretical analyses and commentaries to help understand their significance. As well as increases in imprisonment this book is also concerned to address a number of other aspects of 'the new punitiveness': firstly, the return of a number of for...
14 Modern Contest Solos
All 26 of the Standard American Drum Rudiments, their variations and a number of compound rudiments are used here to establish the countless possibilities which present themselves within the bounds of the drumming rudiments. The interesting library contains titles such as: * Stomping Through the Bar Line * Gingersnap * Ruffing Up a Storm * No Left Flam 6/8
Contrasts in Punishment
Why do some modern societies punish their offenders differently to others? Why are some more punitive and others more tolerant in their approach to offending and how can these differences be explained? Based on extensive historical analysis and fieldwork in the penal systems of England, Australia and New Zealand on the one hand and Finland, Norway and Sweden on the other, this book seeks to answer these questions. The book argues that the penal differences that currently exist between these two clusters of societies emanate from their early nineteenth-century social arrangements, when the Anglophone societies were dominated by exclusionary value systems that contrasted with the more inclusio...
My Wife and My Mother
A biography of Frances Elizabeth Merrill Barbour and Naomi Humphrey Barbour. Francis was born 25 May 1824 in Barkhamsted, Litchfield, Connecticut. Her parents were Merlin Merrill and Clarissa Newton. She married Heman Humphrey Barbour, son of Henry Barbour and Naomi Humphrey, 23 October 1845 in Barkhamsted, Connecticut. They had ten children. Frances died 17 October 1863. Naomi Humphrey Barbour died 7 January 1863.
Buchan
None
Punishment and Civilization
Table of contents
Between the Temple and the Cave
Drawing on a wide variety of newly available source material, Angela McAuliffe examines the roots of Pratt's religious attitudes, including his strict Methodist upbringing in Newfoundland and his plans to enter the ministry. She explores Pratt's early prose and unpublished poetry, including his theses on demonology and Pauline eschatology and the unpublished poem "Clay," to trace the origins of religious ideas and motifs that occur in his later work. McAuliffe focuses on key motifs in Pratt's poetry, such as his image of a distant and formidable God, his apocalyptic vision of the world, and his belief in determinism and fate. She concludes that the diversity of religious positions attributed to Pratt and the image of God that emerges from his poetry are facets of the ironic vision of a man of twentieth-century sensibility who wrestled with God and sought a medium of expression equal to his themes.
