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Architects of Empire
A soldier and statesman for the ages, the Duke of Wellington is a towering figure in world history. John Severn now offers a fresh look at the man born Arthur Wellesley to show that his career was very much a family affair, a lifelong series of interactions with his brothers and their common Anglo-Irish heritage. The untold story of a great family drama, Architects of Empire paints a new picture of the era through the collective biography of Wellesley and his siblings. Severn takes readers from the British Raj in India to the battlefields of the Napoleonic Wars to the halls of Parliament as he traces the rise of the five brothers from obscurity to prominence. Severn covers both the imperial ...
John Ruskin's Correspondence with Joan Severn
The great Library Edition of the Works of John Ruskin spans 39 volumes and, over the course of the century, further compilations of his private diaries and letters have appeared: but the most important epistolary relationship of his later years, shared with his Scottish cousin Joan (Agnew Ruskin) Severn, has until now been entirely unpublished. These letters - more than 3,000 of them - have been challenging for Ruskin scholars to draw upon, with their baby-talk, apparent nonsense and unelaborated personal references. Yet they contain important statements of Ruskin's opinions on travel, on fashion, on the ideal arts and crafts home, on effective education and other questions, and Ruskin often used his letters to Severn as a substitute for his personal diary. In this important new edition, Dickinson presents an edited, annotated selection of a correspondence which, until now, has been almost inaccessible to scholars of Ruskin and of the Victorian period.
Shakespeare as Jukebox Musical
Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.
The Law Journal ...
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