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The riveting story of a talented and versatile artist whose love of ships and the sea found expression in many forms of art: drawings, watercolours, oil paintings, prints, large scale Panoramas, illustrated books and theatre designs. A profligate and immoral wife blighted his life, but, remaining true to his art, he persevered to create a distinguished body of work for posterity to enjoy. Alan Russett chronicles Serres's personal struggles and artistic legacy in an attractive volume (280 x 220 mm) of 255 pages and 178 illustrations, most of them in colour.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
John T. Nolf Printer, Illustrator, Cartoonist, Artist Philosopher
Writing the Lives of Painters explores the development of artists' biographies in eighteenth- and early nineteenth-century Britain. During this period artists gradually distanced themselves from artisans and began to be recognised for their imaginative and intellectual skills. The development of the art market and the burgeoning of an exhibition culture, as well as the foundation of the Royal Academy of Arts in 1768, all contributed to redefining the rank of artists in society. This social redefinition of the status of artists in Britain was shaped by a thriving print culture. Contemporary artists were discussed in a wide range of literary forms, including exhibition reviews, art-critical pa...
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The unbelievable true story of artist Thomas Kinkade, self-described “Painter of Light,” and the dramatic rise – and fall – of his billion-dollar gallery and licensing business. He was just one man, but Thomas Kinkade ultimately made more money from his art than every other artist in the history of the world combined. His sentimental paintings of babbling brooks, rural churches surrounded by brilliant fall foliage, and idyllic countryside cottages were so popular in the 1990s that one out of every twenty homes in America owned one of his prints. With the help of two partners, a former vacuum salesman and an ambitious junior accountant who fancied himself a businessman, Kinkade turned...
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
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