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History of the Royal Hibernian Academy
The narrative of this stunning compendium is one of change, conflict and adaption. The book is divided into two volumes that describe two different political, social and artistic worlds.
Dick Turpin
Why does the notorious highwayman Dick Turpin have such an extraordinary reputation today? How come his criminal career has inspired a profusion of often misleading literature and film? This eighteenth-century villain is often portrayed as a hero – dashing, sinister, romantic, daring, a Robin Hood of his times. The reality, as Jonathan Oates reveals in this perceptive, carefully researched study, was radically different. He was a robber, torturer and killer, a gangster whose posthumous reputation has eclipsed the truth about his life. In the early 1700s Turpin progressed from butcher’s apprentice and poacher to become a member of the Gregory gang which terrorized householders around Lond...
The Magnificent Seven
A fascinating history of seven Victorian London cemeteries - 'works of art', created as much for the living as they were for the dead.
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Oliver Sheppard, 1865-1941
"The period from the 1890s to the 1930s was one of important cultural and political change in Ireland. The sculpture of Oliver Sheppard represented this - from the Celtic Revival to the Irish Free State. He was born into an artisan sculptor's family and grew up in Dublin's northside. He began his studies at the Dublin Metropolitan School of Art and continued in London (under Edouard Lanteri) and in Paris. In 1902 he returned to work in Dublin where he was the leading teacher of sculpture until his retirement in 1937. Sheppard's sensitive clay modelling was in the Romantic-Realist style of French and British sculpture of the late 19th century and he excelled in the subtle modelling of the bod...
The London Gazette
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More Water for My Concrete
“GOD IS BEGINNING TO GIVE ME A NEW SELF-IMAGE,” MEDFORD LEE TOLD ME. “OFTENTIMES, I FELT ISOLATED AND ALONE, ASHAMED OF MYSELF. I TRIED TO NORMALIZE AND FIND USEFUL RESOURCES TO HELP MYSELF AND MY FAMILY.” MEDFORD LEE FREASWATER WAS LIVING WITH FEAR OF HIS IMMEDIATE PAST AND WAS VERY ANXIOUS ABOUT THE FUTURE AS A YOUNG MAN. HE REALLY DIDN’T HAVE ANYONE TO TURN TO ABOUT HIS PROBLEMS. HE WAS A HIGH SCHOOL DROP-OUT BUT LATER, HE RETURNED TO SCHOOL. HE HAD MADE BAD CHOICES IN HIS TEEN YEARS AND NOW HE IS SEEKING DELIVERANCE. MANY SITUATIONS CALL FOR INVOLVEMENT ON DIFFERENT LEVELS: FINANCES, PARENTAL INVOLVEMENT, SIBLING ISSUES, REARING OF CHILDREN AND TEENS AS WELL AS OTHER NECESSITIES OF LIFE THAT CALL FOR HELP BEYOND THE FAMILY OR COMMUNITY LEVEL. MEDFORD LEE HAD TO MAKE A CHOICE AMONG CHOICES FOR HIS CAREER, MISSION AND HIS LIFE OR FACE THE PROPHESY THAT HIS LIFE WAS IN DIRE STRAIGHTS OF DECLINE. HIS CHOICES AND DECISIONS WERE TRIPLY IMPORTANT ESPECIALLY FOR HIMSELF AS WELL AS HIS NEW GENERATIONS. EVERY GENERATION IS A CARE-GIVER FOR THE NEXT. HE ANCSTORS ARE HIS ROCKS IN THE TIME OF TROUBLE AND IN THE GOOD TIMES.
Design History
his anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Design history has emerged in recent years as a significant field of scholarly research and critical reflection. With their interest in the conceptualization, production, and consumption of objects (large and small, unique or multiple, anonymous or signed) and environments (ephemeral or enduring, public or private), design historians investigate the multiple ways in which intentionally produced objects, environmen...
