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John Tweed (1869-1933) was a hugely successful artist who, during his lifetime, became known as 'The Empire Sculptor'. After training at the Glasgow School of Art, he moved to London and then spent six months in Paris. There he met August Rodin and went on to become his principal agent and friend in England. Tweed worked at the very heart of the London art world and created lasting images of many leading Victorian and Edwardian figures such as Cecil Rhodes and Lord Kitchener. His legacy of public sculptures is to be found ranged across the British Empire. This is the first book to consider John Tweed's place in art history and is the result of a four-year project to catalogue the sculptor's archive at Reading Museum.
Reprint of the original, first published in 1883.
This book combines two classic topics in social anthropology in a new synthesis: the study of witchcraft and sorcery and the study of rumors and gossip. First, it shows how rumor and gossip are invariably important as catalysts for accusations of witchcraft and sorcery. Second, it demonstrates the role of rumor and gossip in the genesis of social and political violence, as in the case of both peasant rebellions and witch-hunts. Examples supporting the argument are drawn from Africa, Europe, India, Papua New Guinea, Sri Lanka, and Indonesia.