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Kaltrina Dervishi is a prostitute on the run from Serbian gang leader Fisnik Abazi. The police want her to give evidence against him: Abazi wants her dead. Only her lawyer, Keira Lynch, can keep that from happening. What Keira doesn't realise is that this is a case with global repercussions and it's not long before the CIA come calling. If Kaltrina talks and Abazi is imprisoned, then certain information will come to light - information that men will go to any lengths to keep buried. What they don't realise though is that Keira Lynch isn't your typical Glasgow lawyer. When she was eight years old she killed a man, and as they're about to find out, she's at her most dangerous when threatened.
First published in 1968, THE GIANT UNDER THE SNOW created a fascinating world of magic, ancient evil and curses long before Harry Potter and His Dark Materials. Three children find an ornate Celtic buckle. To them it's treasure, a fantastic find. They have no idea that it has awakened a giant who has lain at rest for centuries. Little do they know that an evil warlord and his Leathermen have also awaited this moment, this chance to wield their deadly power. In a chilling tale full of menace and suspense the final battle between good and evil must be fought. This is a story that transcends age. Beautifully written, subtle and evocative, THE GIANT UNDER THE SNOW transports the reader into an intensely atmospheric world where the imagination knows no bounds.
Through government documents, autobiographies, correspondence, this book presents a look at the Southern backcountry that engendered its role in the Revolutionary War; with attention to political, social, and military history.
"Glass can be decorative or utilitarian, and its forms often reflect technological innovations and social change. Drawing on an insightful selection from the Yale University Art Gallery and other collections at Yale, American Glass illuminates the vital and often intimate roles that glass has played in the nation's art and culture. Spectacularly illustrated, the publication showcases eighteenth-century mold-blown vessels, nineteenth-century pressed glass, innovative studio work, and luminous stained-glass windows by John La Farge and Louis Comfort Tiffany, the latter reproduced as a lush gatefold. These are considered alongside beguiling objects that broaden our expectations of glass and speak to the centrality of the medium in American life, including one of the oldest complex microscopes in the United States, an early Edison light bulb, glass-plate photography, jewelry, and more. With an essay on the history of collecting American glass and discussions of each object that present new scholarship, this engaging book tells the long and rich history of glass in America--from prehistoric minerals to contemporary sculptures"--Dust jacket front flap.
John Brown Gordon’s career of prominent public service spanned four of America’s most turbulent decades. Born in Upson County, Georgia, in 1832, Gordon practiced law in Atlanta and, in the years immediately preceding the Civil War, developed coal mines in northwest Georgia. In 1861, he responded to the Confederate call to arms by raising a company of volunteers. His subsequent rise from captain to corps commander was unmatched in the Army of Northern Virginia. He emerged from the Civil War as one of the South’s most respected generals, and the reputation that Gordon earned while “wearing the gray” significantly influenced almost every aspect of his life during the next forty years....
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Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 2...