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The Book of Festus
The Book of Festus is a shattered fable. In these poems, every object has a voice; every thing is awake. Festus wakes inside a myth - on a wharf in Halifax, Nova Scotia - and recalls nothing but a bicycle. As he looks for it, he thinks the city's thoughts. Upon a sidewalk over a buried river, he remembers what the city remembers. He steps past a skateboard park to a Mi'kmaq lagoon. He follows 17th century pioneer cattle to a fast food restaurant. A girl he once knew steps out of the fragments. Festus is an anagogic man, loser-hero of the first city, Ur, Halifax. This collection is a city's lucid dream of itself.
Pain-Proof Men
The title is a literal translation of the Arabic word fakir, which refers to both a Sufi holy man who performs feats of endurance or magic, and a common street beggar who chants the scriptures. In the world of carnivals, a fakir or torture king would go to great lengths to demonstrate his immunity to pain — by, for example, lying on a bed of spikes and then asking an audience member to break a concrete block on his chest with a sledgehammer. The voice that emerges in Pain-Proof Men is that of a derelict who sings the names of God during the day, and moonlights at a circus as a human pincushion at night. The various personas in these poems (all manner of tricksters — from scarecrows, clowns, sailors, John Wayne, Clark Gable, to the confessional poet himself) are men in pain. All, however mythic and powerful, have failed at love and work and life, and feel an overwhelming ache. This human hurt, that connects us all, links the many voices in this multifarious, ludic book.
The Elephant of Silence
“A poem is an act of faith because the poet believes in it,” contends John Wall Barger in The Elephant of Silence, a collection of essays exploring forms of knowing (and not knowing) that awaken a poetic mind. By considering poetry, film, and the intersections among aesthetic moments and our lives, Barger illuminates the foundations of poetic craft but also probes how to be alive, creative, and open in the world. Each piece investigates unanswerable questions and indefinable words: Lorca’s duende, Nabokov’s poshlost, Bashō’s underglimmer, Huizinga’s ludic, Tarkovsky’s Zona. Influenced by poets such as Glück and Ruefle, and filmmakers such as Kubrick and Lynch, Barger writes—first always sharing his own personal life stories—on the nature of perception, experience, and the human mind. With lyric eloquence and disarming candor, The Elephant of Silence tackles how to live an imaginative life, how to gravitate toward the silence from which art comes, and how the mystical is also the everyday.
Resurrection Fail
"As its title suggests, Resurrection Fail is a worthy paradox, blending John Wall Barger's enviable economy of style with a luxury of spirit that glimmers beneath both his speaker's fetching enthusiasms and deep sorrows. These poems capture how the world's beauty and brutality are bound together; that we fail and-if we're lucky-find the will to resurrect ourselves over and over again. But for all this poet's clear seriousness of purpose, there's a vivid, often witty life force here that reminds me that I'm glad to be alive. I really loved getting to know this book and I bet you will, too"--
Smog Mother
In Smog Mother, John Wall Barger asks: What is a poet without a home? Over and over he finds answers in the joy of duende, the goblin spirit that, as Lorca says, "will not approach at all if he does not see the possibility of death, if he is not convinced he will circle death's house." Ranging from an anti-government rally on the streets of Bangkok to a train trip on the Trans-Mongolian Railway, Smog Mother is the strongest collection yet from a poet writing at the height of his powers.
Pain Studies
“A fascinating, totally seductive read!” —Eula Biss, author of Notes from No Man’s Land: American Essays and On Immunity: An Inoculation “A book built of brain and nerve and blood and heart. . . . Irreverent and astute. . . . Pain Studies will change how you think about living with a body.” —Elizabeth McCracken, author of Thunderstruck and Bowlaway “A thrilling investigation into pain, language, and Olstein’s own exile from what Woolf called ‘the army of the upright.’ On a search path through art, science, poetry, and prime-time television, Olstein aims her knife-bright compassion at the very thing we’re all running from. Pain Studies is a masterpiece.” —Leni Zuma...
The Mean Game
Poetry. THE MEAN GAME--John Wall Barger's fourth book-length entry in what might be called, collectively, a savage comedy--bristles with allegories that explore human cruelty and suffering. Gathering narratives that feel both ancient and modern, Barger forges an apocalyptic vision without sacrificing poetry's underlying sense of joy, humour and revelation. Part comic book translated from a dead language, and part nightmare dreamscape, THE MEAN GAME is a must-read from one of Canada's most kinetic writers.
Sanatorium Songs
Iterative, inventive, and frenetic, the poems in Marc di Saverio's Sanatorium Songs bridge the rift between what's seen and what's experienced by the mentally ill. It's with altruism and joy that di Saverio's work transforms the rules of civic engagement while he probes manifold states of consciousness. At times harrowing, but always human, Sanatorium Songs is a fully realized poetic debut.
Popular Longing
The poems of Natalie Shapero’s third collection, Popular Longing, highlight the ever-increasing absurdity of our contemporary life. With her sharp, sardonic wit, Shapero deftly captures human meekness in all its forms: our senseless wars, our inflated egos, our constant deference to presumed higher powers—be they romantic partners, employers, institutions, or gods. “Why even / look up, when all we’ll see is people / looking down?” In a world where everyone has to answer to someone, it seems no one is equipped to disrupt the status quo, and how the most urgent topics of conversation can only be approached through refraction. By scrutinizing the mundane and all that is taken for granted, these poems arrive at much wider vistas, commenting on human sadness, memory, and mortality. Punchy, fearlessly ironic, and wickedly funny, Popular Longing articulates what it means to share a planet, for better or more often for worse, with other people.
Hummingbird
The Portuguese word for "hummingbird" is beija-flor--flower-kisser. In Aztec mythology, Huitzilopochtli is the hummingbird god, the bloodthirsty god of war, requiring nourishment in the form of constant human sacrifices to ensure that the sun will rise again. In this book, Barger documents his recent itinerant years in closely observed, honest, and sometimes surreal episodes: on the filthy streets of Delhi, in a junk pile in Mexico City, at a Coney Island sideshow, in the bathroom of a Oaxaca bus. The hummingbird is a territorial, aggressive creature whose life depends upon its quest for fuel, compelling it to taste up to one thousand flowers per day. Its pulse, as it flies eight hundred kilometers across the Gulf of Mexico, can rise up to twenty-one beats per second. In these gritty poems, the furor of the hummingbird's desire to survive and the roving spirit of the poet merge to compel a reading of life in flux that is at once breathtaking, agitated and fragile.
