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Electronic Cities
This book examines Electronic Dance Music (EDM) scenes in 18 cities across Africa, the Middle East, Europe, Asia, North America and Australia. It focuses on the historical development of these scenes, with an emphasis on the post-2000 context, including the COVID-19 pandemic and its far-reaching effects. Expert contributors highlight the influence of geographical contexts, as well as cultural and political histories, in the development of mainstream EDM scenes and underground Electronic Dance Music Cultures. This expansive work offers additional insights on cultural and creative policies, planning interventions and regulations associated with nightlife management, and provides a detailed analysis of current challenges inherent to the governance of EDM scenes in contemporary cities.
Pig City
From cult heroes the Saints and the Go-Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of music and corruption.
The British Friend
None
Off the Record
The ultimate music fan's bible packed with insight into the world of rock 'n' roll. Off the Record brings together the best interviews and articles from Australia's music street press, about bands on the cusp of greatness to megastars at the height of their powers--all imbued with a cool street-press indie sensibility. Many pieces come from Time Off, a magazine established in 1979 and the first free music/entertainment weekly in Australia. Far from regurgitating industry marketing copy, music street press has a fiercely independent and wry voice. Off the Record reflects this, offering a unique.
Off the Record
The ultimate music fan's bible packed with insight into the world of rock 'n' roll. Off the Record brings together the best interviews and articles from Australia's music street press, about bands on the cusp of greatness to megastars at the height of their powers--all imbued with a cool street-press indie sensibility. Many pieces come from Time Off, a magazine established in 1979 and the first free music/entertainment weekly in Australia. Far from regurgitating industry marketing copy, music street press has a fiercely independent and wry voice. Off the Record reflects this, offering a unique insight into recent music history: Powderfinger return from their first-ever Sydney shows, Nick Cave name-checks his literary heroes, and Neil Finn worries that Crowded House's new album might be a little too dark, while elsewhere Kurt Cobain dives into Dave Grohl's drum kit (and sprains his wrist in the process). Australian bands, from the Saints to the Grates and the Hilltop Hoods, are featured, but the international focus is strong too, from the Rolling Stones and Sonic Youth to Oasis and the White Stripes. This is the must-have indie book about all things music.
Grant & I: Inside and Outside the Go-Betweens
“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
The Encyclopedia of Popular Music
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Nowhere Fast
Nowhere Fast: Brisbane's Punk and Post-punk Scene 1978-1982 featuring the photographs of Paul O'Brien, is a dark, dazzling, wild night-time ride into the Brisbane underground of the late 70s. O'Brien captured more than 800 images of Brisbane's DIY subculture, a scene underpinned by politics, frustration, opposition. And music. In 1976 The Saints kicked the door open and then split, leaving a restless energy in their wake. The music that emerged from the suburbs of Brisbane in the mid-late 70s did so in spite of active efforts by the police force to eradicate it. Suburban halls and inner-city venues were routinely raided by the police; dances were deemed riots and arrests were made; political protest was banned. This book of 85 selected black and white photographs includes essays by two musicians and members of the scene, Robert Forster and John Willsteed.
Popularizing Scholarly Research
"The research landscape has changed dramatically over the past couple decades. As we have moved from a disciplinary to transdisciplinary terrain, as our means for communicating have increased with the Internet and social media, and as we've developed new ways of doing and representing research, the structures our research may take have also changed, as have what our professional lives may look like"--
Orstralia
With appeal to more than just punk history obsessives, Orstralia offers an unprecedented snapshot of an underacknowledged segment of Australian life and history. Far from punk’s more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia's purported “laid-back” national demeanour, punks there were routinely met with insult, fist, or the police baton. More subterranean than the national scandal that was punk back in “homeland” Britain, Australia’s own bands nonetheless came to be heralded internationally. Orstralia represents the first definitive account of the country’s i...
