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Observations on the Letter of Monsieur Mariette
An impassioned plea for a Roman-Style eclecticism that draws freely on all artistic forms and traditions, Piranesi's Observations anticipates the contemporary debate between devotees of a rational, minimal architecture and advocates of an architecture rich in ornament and historical references."--BOOK JACKET.
Piranesi
A renowned scholar examines the beauty and impact of drawings and prints by Piranesi, as well as the Italian architect's relationship with his friend and colleague Sir John Soane. An 18th-century architect and printmaker, Giovanni Battista Piranesi was a lifelong champion of Rome, publishing more than 1,000 etchings of the Eternal City and its ancient monuments. Piranesi's English contemporary Sir John Soane was also an architect specializing in the neoclassical style. When the two artists met, they formed a profound and complex creative and intellectual relationship that nurtured Soane's later career. Among Soane's greatest legacies is the London museum that bears his name, and some of its ...
Piranesi as Architect and Designer
Piranesi's name is usually connected with intriguing and mysterious etchings, but Giambattisa Piranesi (1720-1778) was also influential as an architect and decorative arts designer. This book examines his work, theories, and impact on the design of architecture and the decorative arts, and it is written by a widely recognized authority on Piranesi. This book, although short, is an in-depth study of Piranesi and his work in these fields, with discussions of his background and the influences on him, as well as how his designs evolved and became influential throughout Britain and Europe. As only one of Piranesi's architectural designs was ever actually executed, his significance as an architect ultimately rests on his extensive graphic production and his polemical publications, both of which are shown in this book to have been tremendously influential. This volume is copublished with The Pierpont Morgan Library New York, using many of its outstanding collection of Piranesi drawings and etchings.
Piranesi as Designer
Renowned as one of the finest printmakers of the eighteenth century, Giovanni Battista Piranesi is best known for his etched views of Rome and its antiquities, as well as for his highly influential suite of drawings entitled Carceri, or Imaginary Prisons. Trained as an architect, Piranesi revolutionized architecture and design through his combination of decorative elements and ornamental motifs from the Egyptian, Etruscan, Greek, and Roman styles; yet his work as the designer of interiors and furnishings has been largely uncelebrated. Published in conjunction with a major exhibition at the Smithsonian's Cooper-Hewitt, National Design Museum, Piranesi as Designer explores the far-reaching impact of Piranesi's modernist style on three centuries of architecture and design. 144 pages nearly 200 integrated color photographs
The Serpent and the Stylus
New essays that shed light on the shadowy figure of Piranesi
Piranesi Drawings
A new exploration of Piranesi’s work as a draftsman, published to coincide with an exhibition at the British Museum. The Venetian-born artist Giovanni Battista Piranesi (1720–1778) is best known for his dramatic etchings of the architecture and antiquities of his adopted home city of Rome and for his extraordinary flights of spatial fancy, such as Le Carceri (“Prisons”). Published to coincide with an exhibition at the British Museum, this volume explores Piranesi’s celebrated skill as a draftsman. While many studies are concerned with Piranesi’s activities as a printmaker, this beautifully illustrated book examines new dimensions of his art by focusing on his drawings. Curator and author Sarah Vowles establishes a clear relationship between his drawings and prints, discusses the involvement of studio hands in his late works, and examines how his style as a draftsman evolved. Piranesi Drawings reveals the quality and lasting impact of the pen and chalk studies by a remarkably talented draftsman, as demonstrated by the superb collection at the British Museum.
L'Unité D'habitation
The Unite d'Habitation at Marseilles is a key building of the twentieth century, and a seminal work in Le Corbusier's oeuvre. A precursor of buildings in Nantes, Berlin, Briey-en-Foret and Firminy, it established, in built form, Le Corbusier's ideas of public housing that had existed only on paper for more than twenty-five years. David Jenkins argues that the Marseilles Unite stands out as a powerful and convincing testament of Le Corbusier's fundamental humanism and his faith in the principles of the Ville Radieuse and the Brutalist medium of rough cast concrete which in other, less able hands, have since been called into question.
Piranesi
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The Art Market in Rome in the Eighteenth Century
Recent interest in the economic aspects of the history of art have taken traditional studies into new areas of enquiry. Going well beyond provenances or prices of individual objects, our understanding of the arts has been advanced by research into the demands, intermediaries and clients in the market. Eighteenth-century Rome offers a privileged view of such activities, given the continuity of remarkable investments by the local ruling class, combined with the decisive impact of external agents, largely linked to the Grand Tour. This book, the result of collaboration between international specialists, brings back into the spotlight protagonists, facts and dynamics that have remained unexplored for many years.
