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Midawarr Harvest
Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.
Lines for Birds
They follow flight paths and habitats of birds, from the Victorian Mallee to the forests of South East Asia, to Japan and the South of France. Sometimes, as the painter says, its almost as if I am looking at the earth with a birds eye view the birds suggest new ways of telling stories about the earth.
John Wolseley
For more than half a century John Wolseley has been widely acclaimed for the way his art practice engages with the environment and broader ecology. Working across several art mediums, but mostly known for his experimental techniques in printmaking and watercolour, Wolseley's work crosses over a number of disciplines including the natural sciences and philosophy. Although he draws on empirical investigation frequently immersing himself in the Australian environment, his deeply moving and profoundly beautiful works are full of great passion and consummate skill. Land Marks III is a collaboration between artist and art historian, John Wolseley and Sasha Grishin, which has developed over more than twenty years. It builds on two earlier editions to advance a timely and well-informed assessment of an artist who has been increasingly seen amongst artists as the environmental conscience of our time.
Integer Programming
A PRACTICAL GUIDE TO OPTIMIZATION PROBLEMS WITH DISCRETE OR INTEGER VARIABLES, REVISED AND UPDATED The revised second edition of Integer Programming explains in clear and simple terms how to construct custom-made algorithms or use existing commercial software to obtain optimal or near-optimal solutions for a variety of real-world problems. The second edition also includes information on the remarkable progress in the development of mixed integer programming solvers in the 22 years since the first edition of the book appeared. The updated text includes information on the most recent developments in the field such as the much improved preprocessing/presolving and the many new ideas for primal ...
Collections for a History of Staffordshire
Minutes of meetings of the society appear in most of the vols.
The royal lineage of our noble and gentle families
The royal lineage of our noble and gentle families. Together with their paternal ancestry
Benton End Remembered
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
Shonky
In this compact but highly original publication, artist John Walter identifies a 'shonky' tendency in art that has previously gone under the radar, bringing into focus artworks that are hand-made but not well crafted, that push the boundaries of good taste and orderliness. Walter illustrates his theory with examples of awkward, funny, exuberant art from across the past forty years, ranging from sculpture and performance to painting and architecture. Novelists Zoë Strachan and Louise Welsh broaden this exploration of the shonky into the world of literature in their 'Letter from Monkswood', while in 'The Shonky Factor' Walter assesses a list of artists for their shonkiness levels.
