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"The land grants listed herein were made by Lord Fairfax prior to the creation of the Virginia Land Office; by the Commonwealth of Virginia, of lands now embracing the State of West Virginia; and, by the State of West Virginia, under its first Constitution."--Page [1].
Investigating the complex interactions between devotional imagery and Church doctrine in the Low Countries during the fifteenth century, this book demonstrates how the pictorial arts intersected with popular religious practice. The author reconstructs the conceptual frameworks underlying the use and production of religious art in this period and provides a more nuanced understanding of the use of images in the process of soul formation. This study delves into the complexity of the early modern system of personal justification and argues that religious images and objects were part of a larger 'Technology of Salvation.' In order to make these connections clearer, the author analyzes selected works by Geertgen tot Sint Jans (Little Gerard at St. John's) and shows how they functioned within their larger social and historical milieu.
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Bodies mangled, limbs broken, skin flayed, blood spilled: the art of the late medieval and early modern periods contains myriad examples of spectacular unmaking. The martyrdoms of saints, stories of justice, and reports of the atrocities of war provided fertile ground for scenes of bodily desecration. Contributors to this volume explore the larger social functions that pain, suffering, and the desecration of the human form played in European society.
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