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Inspired by the mad and fabulous cast of crazy characters, plus Willy Wonka's tantalising sweet creations, this book is sure to make both children and parents laugh. Oozing chocolatey jokes and bubbling with sweet humour, this will make a yummy gift for thousands of Charlie and the Chocolate Factory fans.
Genies, wishes, vicious neighbours and a bizarre place called the Joke Factory. Twisting plot. 8 yrs+
With a balance of fiction and non-fiction text types and genres, Bookwise is carefully graded and organised into five cross-curricular strands, encouraging links to other subjects. The full-colour readers are accompanied by Teacher's Guides and Resource Sheets to help you get the most out of your Guided Reading and Writing sessions.
An examination of the art of stand-up comedy, its constituent parts and how they work Considering stand-up comedy to be an art-form deserving greater attention and analysis, Getting the Joke provides an exploration of the work of the stand-up comedian. Beginning with a brief history of the art form, the book goes on to examine the key elements, such as the comedian's stage persona, their material and how this is generated, the art of performance, their relationship to and interaction with the audience, and the development of stand-up skills. The book draws on interviews with many of the leading stand-up comedians, including Jo Brand, Alexei Sayle, Ross Noble and Rhona Cameron, and contains detailed analysis of examples from both the British and American markets. Aimed at fans of stand-up and aspiring comedians alike, Getting the Joke is the first book of its kind to offer an accessible and engaging analysis of the art of stand-up comedy. By the author of Stand-Up: On Being a Comedian - 'a fantastic book for anyone who's got any interest in stand-up comedy' (Mark Lamarr)
The biggest joke book on the market gets a ginormous companion! Just in case the massive collection of jokes featured in the bestselling The Biggest Joke Book Ever, No Kidding wasn’t enough, this hugely humorous companion includes more than five thousand additional goofy gags, clever comebacks, and treacherous tongue twisters along with riddles, one-liners, puns, and more. Up to date and brimming with hilarity, the contents of this indispensible comedy resource will have readers laughing nonstop.
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This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and ...
Author’s blurbs: William Knodelseder says, “Still Funny as a train wreck!” Churchill says, “The further back you can look, the further ahead you can see. Lue can see way back!” Nietzsche says, “What doesn’t destroy you makes you stronger! Stand-up hasn’t destroyed Lue yet!” Isaac Asimov says, “Lue is consistent with the third law of robotics.” Mark Twain says, “A magnificent band will play, somewhere in the city! Lue will love it!” Lue’s ex-wife says, “Where is he? Was he arrested?” Lue’s former parole officer says, “How’d you say his name again?” Reportage, rants, rituals, essays, and extremely tall tales inside a lifetime of stand-up secrets!
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A master of driving pace, exotic setting, and complex plotting, Harold Lamb was one of Robert E. Howard's favorite writers. Here at last is every pulse-pounding, action-packed story of Lamb's greatest hero, Khlit the Cossack, the "wolf of the steppes.