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Scary Monsters
Popular music and masculinity have rarely been examined through the lens of research into monstrosity. The discourses associated with rock and pop, however, actually include more 'monsters' than might at first be imagined. Attention to such individuals and cultures can say things about the operation of genre and gender, myth and meaning. Indeed, monstrosity has recently become a growing focus of cultural theory. This is in part because monsters raise shared concerns about transgression, subjectivity, agency, and community. Attention to monstrosity evokes both the spectre of projection (which invokes familial trauma and psychoanalysis) and shared anxieties (that in turn reflect ideologies and beliefs). By pursuing a series of insightful case studies, Scary Monsters considers different aspects of the connection between music, gender and monstrosity. Its argument is that attention to monstrosity provides a unique perspective on the study of masculinity in popular music culture.
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Decipher
Ancient monuments all over the world - from the Pyramids of Giza, to Mexico, to the ancient sites of China - are also awakening, reacting to a brewing crisis not of this earth, connecting to each other in some kind of ancient global network. A small group of scientists is assembled to attempt to unravel the mystery. What they discover will change the world. Imagine that 12,000 years ago it really did rain for 40 days and 40 nights. That storms reigned supreme. Imagine that survivors of human civilization really were forced to take to boats or hide out in caves on mountaintops. Then consider that these same myths from around the world predict this kind of devastation will occur time and again. What could cause such a catastrophe? What occurs in nature with such frightening and predictable regularity? A pulsar. But this is not just any pulsar - the ordinary type that pulses once a second, a minute, or even a week. This pulses once every 12,000 years and sends out a gravity wave of such ferocity it beggars belief. Not only that, it's closer than anybody has ever imagined. For it lives in our own backyard. It is the Sun.
The Music Documentary
The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times – particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.
Josh Hackett: No Chaser
A collection of flash memoir from the co-founder of The Skull and Poems Literary Society. Ranging from poetry to short stories, the literary mosaic allows the reader an honest glimpse into the author's world.
Gothic in the Oceanic South
This dynamic multidisciplinary collection of essays examines the uncanny, eerie, wondrous, and dreaded dimensions of oceans, seas, waterways, and watery forms of the oceanic South, a haunted global precinct stretching across the Pacific, Southern and Indian Oceans, and around Australasia, Oceania, Aotearoa New Zealand, and South Africa. Presenting work from leading scholars, the chapters contend with the contemporary fears and repressions associated with the return of environmental traumas, colonial traumas, and the spectres of the precolonial deep past that resurface in the present. The book examines the manifestations of these Gothic aesthetics and propensities across a range of watery spa...
Boys' Life
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Beasts of the Forest
Beasts of the Forest: Denizens of the Dark Woods offers its readers an in-depth and interdisciplinary engagement with the forest and its monstrous inhabitants; through critical readings of folklore, fiction, film, music video and animation. Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the forest in media and folklore. The collection features chapters from a variety of academic perspectives: film and media studies, cultural studies, queer theory, Tolkien studies, mythology and popular music are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create th...
Modern Slavery and Human Trafficking
Throughout the world, vulnerable people are being deceived into entering abusive journeys. Whether in the organ trade, exploitative labour businesses or forced criminality, their lives will never be the same. This book traces the journey of victims/survivors of modern slavery and human trafficking into and within the UK, from recruitment to representation to (re)integration. Using global comparative case studies, it discusses recruitment tactics and demand, prevention in supply chains, issues with effective legal protection and care services and vulnerability to re-trafficking. It also examines the ideological misrepresentation of vulnerable migrants and victims/survivors in media, the film industry, legislation and more. Rooted in diverse practitioner experience, disciplines and empirical research, this book bridges the experience-research-practice-policy gap by bringing to the fore survivors’ voices. In doing so, it offers crucial suggestions for better public awareness, policies and practices that will impact interventions in the UK and beyond.
Musicians and their Audiences
How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
