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“An inventive and powerful coming of age story about the search for community and all the ways our ties to one another come undone. Jon Pineda has a poet’s eye for the details of this vivid, haunting landscape, and he brings it blazingly to life.” —Jenny Offill, author of Dept. of Speculation With the cinematic and terrifying beauty of the American South humming behind each line, Jon Pineda’s Let’s No One Get Hurt is a coming-of-age story set equally between real-world issues of race and socioeconomics, and a magical, Huck Finn-esque universe of community and exploration. Fifteen-year-old Pearl is squatting in an abandoned boathouse with her father, a disgraced college professor,...
Poetry. Winner of the 2007 Green Rose Prize. "In THE TRANSLATOR'S DIARY, where truth 'never survives its translation, ' Jon Pineda composes a haunting elegy. His keen attention journeys through absence and presence, fragmentation and loss in memorable, riveting language"--Arthur Sze. "THE TRANSLATOR'S DIARY reminds us that one of poetry's necessary functions is translation--of literal experience and abstract emotion, the personal and shared. With beautiful formal precision, Pineda moves skillfully from couplets to sonnets to lyric sequence, carefully 'pressing syllables against the dark' in this timeless, poignant volume"--Claudia Emerson
An immigrant takes the blame for his nephew’s mistake, changing both of their lives, in this “acutely observed” novel by a prize-winning author (Publishers Weekly). When nine-year-old Tom Serafino’s twin sister Teagan suffers a debilitating brain injury at a Virginia construction site, a police investigation implicates his playmate Mario’s uncle—an immigrant transient worker known as Shoe. Innocent of the crime but burdened by his own childhood tragedy, Shoe takes the blame for what is in fact an accident caused by his young nephew, ensuring Mario’s chance at a future publicly unscarred. The lines between innocence and guilt, evasions and half-truths, love and duty are blurred....
Pablo Pineda is the first European with Down Syndrome to obtain a university degree. A teacher, a writer, and an actor, he radiates charisma and the will to learn. This is his endearing story, which reminds us that the only disability is not understanding that all of us have different abilities. Guided Reading Level: P, Lexile Level: 950L
Keyboardist and songwriter with the band Journey, Jonathan Cain writes this long-awaited memoir about his personal story of overcoming and faith, his career with one of the most successful musical groups in history, and the stories behind his greatest hits including "Don't Stop Believin'." When Jonathan Cain and the iconic band Journey were inducted into the Rock and Roll Hall of Fame, Cain could say he had finally arrived. But Cain's journey wasn't always easy--and his true arrival in life had more to do with faith than fame. As a child, Cain survived a horrific school fire that killed nearly 100 of his classmates. His experience formed a resilience that would carry him through both tragedy...
Yes, there is barbecue, but that’s just one course of the meal. With Vinegar and Char the Southern Foodways Alliance celebrates twenty years of symposia by offering a collection of poems that are by turns as sophisticated and complex, as vivid and funny, and as buoyant and poignant as any SFA gathering. The roster of contributors includes Natasha Trethewey, Robert Morgan, Atsuro Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five more. These poets represent past, current, and future conversations about what it means to be southern. Throughout the anthology, region is layered with race, class, sexuality, and other shaping identities. With an introduction by Sandra Beasley, a thought-provoking foreword by W. Ralph Eubanks, and luminous original artwork by Julie Sola, this collection is an ideal gift. Meant to be savored slowly or devoured at once, these pages are a perfect way to spend the hour before supper, with a glass of iced tea—or the hour after, with a pour of bourbon—and a fitting celebration of the SFA’s focus and community.
An award-winning poet chronicles loss, family, and identity
We praise those people who do things for others. But the symbolic power of giving means individuals can take advantage of the glow of 'goodness' that charity provides. This book analyses the reality of how charity operates in the social world; how the personal benefits of giving and volunteering are vital for getting charitable acts to happen; how the altruism associated with gifts isn't always what it seems; how charity misbehaviour or bad management gets overlooked; and how charity symbols are weaponised against those who don't participate. Drawing on original data and a novel application of the sociology of Bourdieu, this book examines a wide range of examples from culture, politics and society to provide an entertaining critique of how contemporary charity works.
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” —Ana Castillo, author of So Far from God and prize judge In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl—and frustrated writer—transformed into a prisoner of conscience in Malaysia’s most notorious detention camp. Winner of the Louise Meriwether First Book Prize, YZ Chin’s debut reexamines the relationship between the global and the intimate. Against a backdrop of globalization, individuals buck at what seems inevitable—seeking to stake out space for the inner motivations that shift, but still persist, in the face of changing and challenging circumstances. YZ Chin was born and raised in Taiping, Malaysia. She now lives in New York, working as a software engineer by day and a writer by night.
In Kelli Russell Agodon’s fourth collection, each poem facilitates a humane and honest conversation with the forces that threaten to take us under. The anxieties and heartbreaks of life—including environmental collapse, cruel politics, and the persistent specter of suicide—are met with emotional vulnerability and darkly sparkling humor. Dialogues with Rising Tides does not answer, This or that? It passionately exclaims, And also! Even in the midst of great difficulty, radiant wonders are illuminated at every turn.