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Photographer Jonathan Becker began contributing to Vanity Fair following a successful solo exhibition in 1981. Over three decades, Becker has photographed some of the most fascinating characters from the rarefied worlds of art, literature, politics, pop culture, and society, capturing the personality and individuality of the subjects he celebrates.
Jonathan Starling's father is in an asylum and his home has been attacked when, while running away from kidnappers, he stumbles upon Darkside, a terrifying and hidden part of London ruled by the descendants of Jack the Ripper, where Jonathan is in mortal danger if he cannot find the way out.
Brooke de Ocampo invites us back into the homes of Bright Young Things, only this time she opens the doors to London's most stylish and enterprising trend-setters. Bright Young Things London is the highly anticipated follow-up to the successful New York edition. This lush, elegant book is an enthralling journey through the homes of the most envied and emulated residents of one of the world's most exciting cities. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best: Claus von Bulow writes about his daughter Cosima; Ewan and Eve MacGregor rave about the home David Adjaye designed for them; Michael Kors fawns over his muse, Kim Hersov; and Paul Smith writes about Robert Violette. Bright Young Things London captures the spirit of the city while paying tribute to its international influences. It is just as addictive in London as it was in New York.
The first retrospective monograph on photographer Jonathan Becker, one of the great visual storytellers of our time Over the course of five decades, Jonathan Becker has produced a body of evocative photographic work that documents lives of the twentieth-century beau monde. A protégé of legendary Parisian photographer Brassaï and a longtime contributor to Vanity Fair, Becker's work provides a link between fine-art photography and the notion of the photographer as social observer. Bringing together commissioned and personal work, this stunning collection presents more than 200 images from across Becker's career, charting his journeys in New York, Paris, London, and Buenos Aires from the 197...
Imagine a place just beyond nightmare - a secret city where horrors haunt the streets. Take the wrong alley, turn the wrong corner, and you'll find that place: Darkside. It's wickedly dangerous and excitingly strange - and it could be the last place Jonathan ever sees... Set in a terrifying netherworld of creaking asylums, oil-lamps, dingy alleys and Jack the Ripper's descendants, this first book in a chilling Gothic series of monsters and mayhem will hold you mesmerised.
Game rules for fantasy role-playing game for high level characters.
This book examines changing Soviet and Russian press coverage of the United States from the emergence of Mikhail Gorbachev through the presidency of Vladimir Putin. A new afterword focuses on recent developments in the Russian media and Russian press coverage of the terrorist attacks of September 11, 2001. Becker argues that due to the absence of a language to support the reform strategy, the Soviet press presented positive images of its chief ideological and military opponent, the United States, as a means of supporting political, social and economic reform. He suggests that the end of the Cold War and the emergence of a more self-confident Russia means that the symbolic and discursive significance of the United States for Russia has diminished.
A new and urgently needed guide to making the American economy more competitive at a time when tech giants have amassed vast market power. The U.S. economy is growing less competitive. Large businesses increasingly profit by taking advantage of their customers and suppliers. These firms can also use sophisticated pricing algorithms and customer data to secure substantial and persistent advantages over smaller players. In our new Gilded Age, the likes of Google and Amazon fill the roles of Standard Oil and U.S. Steel. Jonathan Baker shows how business practices harming competition manage to go unchecked. The law has fallen behind technology, but that is not the only problem. Inspired by Rober...
A Gossipy, Anecdotal Book by Bob Colacello with luscious photography by Jonathan Becker of the homes & studios of forty prominent artists living in the Hamptons: from Julian Schnabel's ten-bedroom Stanford White spread to Ross Bleeckner's Sagaponack saltbox (formerly Truman Capote's), & including the personal places of Chuck Close, April Gornik, David Salle, John Chamberlain & others.
The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.