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The White House Physician
When President George Washington fell ill six short weeks after his inauguration, he summoned Samuel Bard, one of the most prominent physicians of the day. Thereafter, when residing at his presidential home in Manhattan, Washington consistently relied on Bard for medical care. Thus Bard became the first in a line of presidential physicians, the providers of medical care for America's chief executive. From George Washington to George W. Bush, this volume examines 217 years of health care in the White House and the men and women who ministered to these presidential patients. Beginning with that first presidential physician's visit on June 13, 1789, it analyzes the relationships--sometimes fruitful and sometimes disastrous--of the presidents with their physicians. While biographical sketches detailing the background of each physician are included, the main focus of the work is the especially complex physician-patient relationship and the ways in which it has changed over time. The evolution of the presidential physician's responsibilities is also discussed, as are developments in American medicine during presidential terms.
The Novel After Film
In this provocative and original study, Jonathan Foltz charts the institutional, stylistic and conceptual relays that linked literary and cinematic cultures, and that fundamentally changed the nature and status of storytelling in the early 20th century
Two Families West
From Omaha to Oakland, from Coffeyville to Contra Costa County, two immigrant families act out the American dream. This true story of two Midwestern families begins in England and Prussia, and hopscotches across the U.S. to chronicle the lives of the Foltzes and Pickerings. Settled in Omaha and small-town Kansas respectively, they seek advancement – through jobs, romance, higher education, lower humidity. And advancement, for most, leads west. Their narrative is the story of America writ small, in sharply rendered profi les: of Clarence Foltz, Omaha physician and thrower of dinner-table bones; Ruth, his wife, diffi dent but weary of hot summers and capable of hurling dishes when the subjec...
Navy Medicine
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Democracy's Big Day
Every four years, the world watches as the United States passes the title and power of the presidency from one person to another in a peaceful and orderly manner. With a formal ceremony, a large parade, and gala inaugural balls, its a big, colorful showone rich with history, tradition, and ritual. Through a compilation of vignettes, author Jim Bendat chronicles all of Inauguration Days historic events. Democracys Big Day tells stories about the outgoing and incoming presidents who did not get along, the chief justices who improperly administered the presidential oath, the vice president who showed up to the ceremony drunk, and the nine occasions in which the United States had an unplanned and unanticipated inaugurationoften for a nation in mourning. Democracys Big Day presents a comprehensive history of presidential inaugurationsfrom George Washington through Barack Obama. From the morning White House coffee gathering to the evenings parties, the author provides a captivating look at what is truly democracys biggest day.
The Virgin of the Seven Daggers
I entered the church...It struck me suddenly that all this crowd of men and women standing all round, these priests chanting and moving about the altar, were dead... Vernon Lee was a polymath whose copious writings include deeply learned studies of art, music, literature, and history, but also a small but exquisitely crafted group of Gothic tales, most of which first appeared in fin de siècle periodicals including the iconic Yellow Book. In these stories of obsession and possession, transgressive desire reaches out from the past -- through a haunting portrait, a murdered poet's lock of hair, the uncanny voice of a diabolical castrato -- dragging Lee's protagonists to their doom. Among those...
Across the Great Divide
There’s nothing pure about modernism. For all the later critical emphasis upon “medium specificity”, modernist artists in their own times revel in the exchange of motifs and tropes from one kind of art to another; they revel in staging events where different media play crucial roles alongside each other, where different media interfere with each other, to spark new and surprising experiences for their audiences. This intermediality and multi-media activity is the subject of this important collection of essays. The authoritative contributions cover the full historical span of modernism, from its emergence in the early twentieth century to its after-shocks in the 1960s. Studies include Futurism’s struggle to create an art of noise for the modern age; the radical experiments with poetry; painting and ballet staged in Paris in the early 1920s; the relationship of poetry to painting in the work of a neglected Catalan artist in the 1930s; the importance of architecture to new conceptions of performance in 1960s “Happenings”; and the complex exchange between film, music and sadomasochism that characterises Andy Warhol's “Exploding Plastic Inevitable”.
