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Theology and Prince
  • Language: en
  • Pages: 179

Theology and Prince

Prince was a spiritual and musical enigma who sought to transcend race and gender through his words, music, and fashion. Raised as a Seventh-Day Adventist and later going door-to-door as a Jehovah’s Witness, he expressed his faith overtly and allegorically, erotically and poetically. Theology and Prince is an edited collection on theology and the life, music, and films of Prince Rogers Nelson. Written for academics yet accessible for the layperson, this book explores Prince’s ideas of the afterlife; race and social justice activism; eroticism; veganism; spiritual alter egos (with a deep dive into the dark character of “Spooky Electric”); a queer listening of the Purple Rain album; the theology of the Graffiti Bridge film (featuring interviews with co-star Ingrid Chavez and other collaborators), and a story from Texas of a Christian worship service designed around Prince’s music in the wake of his passing. Those interested in theology and popular culture; scholars of social justice, racial identity, LGBTQ+ studies, and gender studies; as well as Prince “fams” will find new ways of viewing Prince’s old and new works.

Theology and Protest Music
  • Language: en

Theology and Protest Music

This interfaith collection of essays on theology in diverse genres of protest music examines Habakkuk, Brazilian eschatology, Black liberation, esoteric Islam in rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Santería drumming, Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement.

Theology and Prince
  • Language: en
  • Pages: 194

Theology and Prince

Theology and Prince explores theology and the life, music, and films of Prince Rogers Nelson. Topics include Prince's ideas of the afterlife; race and social justice activism; eroticism; veganism; spiritual alter egos; a queer listening of the Purple Rain album, and the theology of the Graffiti Bridge film.

Theology, Religion, and Dystopia
  • Language: en
  • Pages: 209

Theology, Religion, and Dystopia

Dystopia, from the Greek dus and topos “bad place,” is a revelatory genre and concept that has experienced a meteoric rise in popularity at the start of the twenty-first century. This book addresses approaches to the study of dystopia from the academic fields of theology and religious studies. Following a co-written chapter where Scott Donahue-Martens and Brandon Simonson argue that dystopia can be understood as demythologized apocalyptic, ten unique contributions each engage a work of popular culture, such as a book, movie, or television show. Topics across chapters range from the critical function of dystopia, social location and identity, violence, apocalypse and the end of everything, sacrifice, catharsis, and dystopian existentialism. This volume responds to the need for theological and religious reflection on dystopia in a world increasingly threatened by climate change, pandemics, and global war.

Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein
  • Language: en
  • Pages: 197

Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein

The critically acclaimed if controversial game series Wolfenstein is famous for its inclusion of historical objects and figures from the realm of Nazi Occultism, including the Swastika, the Spear of Destiny, the Thule Medallion, Heinrich Himmler, Helena Blavatsky, and Karl Wiligut. The series was criticized for its alleged Nazi glorification and for completely neglecting primary victims of the Second World War, the Jewish people. But since its reboot with Wolfenstein: New Order in 2014, the series has a new, distinct filo semitic flavor, including a number of explicit Jewish characters, a playable concentration camp level, and several theological discussions on God and the existence of evil. In Nazi Occultism, Jewish Mysticism, and Christian Theology in the Video Game Series Wolfenstein, game theologian Frank G. Bosman critically examines both the Nazi occultist and Judaist inspirations and aspirations of the game series, putting forth the question if the series has not invertedly ventured into implicit antisemitic territory by including the Da’at Yichud, a fictional, ancient, and distinct Jewish organization harboring the great minds of history.

René Girard, Theology, and Pop Culture
  • Language: en
  • Pages: 265

René Girard, Theology, and Pop Culture

In René Girard, Theology, and Popular Culture, fifteen contributors consider how Girard’s mimetic theory can be used to uncover and probe the theological depths of popular culture. Creative and critical engagement with Girard’s theory enables the contributors to offer fresh and exciting interpretations of movies (The Devil Wears Prada, Mean Girls, Star Wars), television (Hoarders, Cobra Kai), classical literature and graphic novels, and issues ranging from anorexia to social media. The result is a volume that establishes Girard as an innovative interpreter of culture and shows him as an invaluable guide for theologically reflecting on desire, violence, redemption, and forgiveness. Written in fresh and lively prose, the contributors demonstrate not only that Girard provides a powerful lens through which to view culture but also—and more provocatively—challenge readers to consider what popular culture reveals about them. Readers looking for an accessible introduction to mimetic theory and exploring its theological application will find this a welcome resource.

Sports and Play in Christian Theology
  • Language: en
  • Pages: 244

Sports and Play in Christian Theology

Sport is a major preoccupation of the modern world. It consumes the time and energies of millions of people around the globe. In fact, for many participants, it operates much like a functional equivalent of religion, giving them a way to interpret and understand the world. Sports stadiums are the cathedrals of our time. Sports stars are the saints or demi-gods through whom we access the transcendent. Members of the sports media serve as religious scribes, and sports fans are the worshiping faithful. What is true of sport is also true, more generally, of play. Nevertheless, and quite remarkably, Christian theologians and religious historians have been surprisingly slow to recognize the spirit...

International Aspects of Recent Phenomena in Media and Culture
  • Language: en
  • Pages: 220

International Aspects of Recent Phenomena in Media and Culture

The volume provides an updated perspective on international aspects of various developments in media and culture. It includes discussions on how the digital environment contributes to the transformation and re-interpretation of existing phenomena, such as violence-on-demand in online movies, the internet appeal of virtual gangsta rappers, or the revived battle rap tradition, which operates outside the commercial limitations of the music industry and generates more views on social media than most recording artists. The book offers a new consideration of long-term trends and developments, and demonstrates in various examples how formerly marginal practices like gaming or the previously shunned...

Theology and Westworld
  • Language: en
  • Pages: 132

Theology and Westworld

In the first two seasons of the HBO series Westworld, human guests pay exorbitant fees to spend time among cybernetic Hosts—partially sentient AI robots—and live out often violent fantasies. In Theology and Westworld, scholars from a range of disciplines within religious studies examine the profound questions that arise when the narrative of Westworld interacts with the study of religion. From transhumanism and personhood to morality and divinity, this book contributes to, confounds, and challenges ideas that are found in the study of religion and philosophy. Taken together, the chapters further our understanding of what it means to live in a world where the hard questions of human existence are explored through the medium of popular culture.

Theology and Batman
  • Language: en
  • Pages: 311

Theology and Batman

Batman is one of the most recognized and popular pop culture icons. Appearing on the page of Detective Comics #27 in 1939, the character has inspired numerous characters, franchises, and spin-offs over his 80+ year history. The character has displayed versatility, appearing in stories from multiple genres, including science fiction, noir, and fantasy and mediums far beyond his comic book origins. While there are volumes analyzing Batman through literary, philosophical, and psychological lenses, this volume is one of the first academic monographs to examine Batman through a theological and religious lens. Theology and Batman analyzes Batman and his world, specifically exploring the themes of theodicy and evil, ethics and morality, justice and vengeance, and the Divine Nature. Scholars will appreciate the breadth of material covered while Batman fans will appreciate the love for the character expressed through each chapter.