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Theology and Star Trek
After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.
The Spirit and the Screen
The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but ins...
Outcry
American Voices of Conscience, Post-9/11 is an anthology of letters, op-eds, speeches and short essays drawn from a broad spectrum of Americans, which eloquently expresses their outrage, betrayal and frustration over the corrupt and misguided actions and policies of the Bush/Cheney administration since the tragedies of 9/11. Within its pages, you?ll find stirring monologues, passionate rants, laser-guided satire, and proposals for sane, nonviolent solutions to our problems. From soldiers to seniors, from Zen monks to Christian ministers, from librarians to libertarians, these are the true patriots - those who really care what is happening to our society and have had the courage to speak out against dishonesty and deception in our cherished institutions. With the publication of Outcry: American Voices of Conscience, Post-9/11, we hope to weave these myriad voices into a chorus of reason and compassion. For they are the voices of conscience, unintimidated by the dissonance of militarism, corporate greed, and the blind, uncritical acceptance of flag-waving propaganda.
Theology and the Blues
While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of a genre of music born from suffering. The great Mississippi Delta bluesman, Muddy Waters, once said, "The blues was born behind a mule." Behind a beast of burden, the working man found in the blues a way to console the everyday experiences of struggle, sin, loss, despair, love, grief, sin, death, and the fear and hope of crossing the River Jordan into eternal life. The church's gospel songbook explores doctrinal foundations set to music, but the blues dares to uncover insight into the lived experiences of spiritual journeys. Theology and the Blues showcases theological themes inherent within the organic and expressive genre of the blues.
Theology and Horror
Scholars of religion have begun to explore horror and the monstrous, not only within the confines of the biblical text or the traditions of religion, but also as they proliferate into popular culture. This exploration emerges from what has long been present in horror: an engagement with the same questions that animate religious thought – questions about the nature of the divine, humanity's place in the universe, the distribution of justice, and what it means to live a good life, among many others. Such exploration often involves a theological conversation. Theology and Horror: Explorations of the Dark Religious Imagination pursues questions regarding non-physical realities, spaces where both divinity and horror dwell. Through an exploration of theology and horror, the contributors explore how questions of spirituality, divinity, and religious structures are raised, complicated, and even sometimes answered (at least partially) by works of horror.
The Doctor and the Apostle
What could a first-century church planter and tentmaker who helped forge the earliest years of a new religious movement possibly have in common with a British time traveling alien who first appeared in the 1960s to teach children about history? Doctor Who has been a beloved science fiction franchise for over fifty years. Paul’s letters have been around for quite a while longer, with the earliest ones that he wrote dated less than a generation after the life of Jesus. Both have inspired and instructed people on how to live and have stoked the imagination for what individual and communal life can be in their own way. And both were or are deeply flawed, sometimes struggling against their own ...
Bob Dylan and the Spheres of Existence
Bob Dylan and the Spheres of Existence shows that existential questions lie at the heart of Bob Dylan’s songwriting—a point that will developed with the help of renowned Danish philosopher Søren Kierkegaard. One of the focal points of Kierkegaard’s authorship is the journey towards authentic selfhood. Famously, he thematizes this journey in terms of existential “spheres”—the aesthetic, the ethical, and the religious. Whereas the aesthetic involves a preference for immediacy, the ethical has to do with achieving a sense of personal identity by way of living for enduring commitments and values. Yet, higher than both of these stages is the religious, which initially concerns the im...
Theology and the Avett Brothers
The Avett Brothers sing of a spiritual yearning present in modern culture. Without being overtly religious, theological underpinnings are prevalent in their music. The contributors in this book delve into the Avett Brother's explicit and implicit theology with an eye on how they help make sense of our secular age. Theology and the Avett Brothers offers a rich contemplation on how these brothers from North Carolina help listeners navigate the religious consciousness of today's world, exploring themes like the good life, virtue formation, empathy, ministry models, and dying.
Theology and Black Mirror
Black Mirror, Netflix’s dystopian anthology, probes what it means to be human in a technological world. While the show raises interesting, if not disturbing, questions, it refrains from giving answers, putting the onus on viewers to continue the conversation. Accordingly, Theology and Black Mirror engages questions and prominent themes in the show with resources from the Christian tradition, including the academic disciplines of biblical studies, theology, philosophy, and ethics.
Theology and Game of Thrones
This book explores many of the theological and religious themes present in the Game of Thrones HBO television series and George R.R. Martin’s A Song of Ice and Fire novels. Written for academics yet accessible for the layperson, the chapters explore themes of power, religion, and sacred institutions in Westeros; Christian ecclesiology in the Night’s Watch and the religion of the Iron Islands; Augustinian notions of evil in the Night King and anthropology in the Seven; Orientalism, Hinduism, and the many worldviews in the World of Ice and Fire, and the series more controversial and disturbing themes of rape and death. Theology and Game of Thrones will appeal to theology and religious studies scholars and fans alike as it explores these elements in Martin’s complex fantasy epic.
